Carrie Rickey

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For 1,303 reviews, this critic has graded:
  • 69% higher than the average critic
  • 4% same as the average critic
  • 27% lower than the average critic
On average, this critic grades 1.8 points higher than other critics. (0-100 point scale)

Carrie Rickey's Scores

  • Movies
  • TV
Average review score: 67
Highest review score: 100 Everlasting Moments
Lowest review score: 0 My Favorite Martian
Score distribution:
1303 movie reviews
    • 69 Metascore
    • 75 Carrie Rickey
    Startlingly original comedy-drama.
    • 35 Metascore
    • 75 Carrie Rickey
    It's wholesome as a glass of milk, and as refreshing.
    • Philadelphia Inquirer
    • 55 Metascore
    • 75 Carrie Rickey
    A double shot of Saturday-night lowdown chased by a cheery chug of Sunday-morning uplift.
    • 53 Metascore
    • 75 Carrie Rickey
    Subversively funny, Stick It sees gymnastics as a microcosm of teen life.
    • 63 Metascore
    • 75 Carrie Rickey
    The treasure of the film is the unearthing of the family bond, magically played by Douglas and Wood.
    • 72 Metascore
    • 75 Carrie Rickey
    The unforced performances of Courtney and Fanning are remarkable.
    • 65 Metascore
    • 75 Carrie Rickey
    The movie about literature's luckiest orphan may teem with children, but it is not for them.
    • 67 Metascore
    • 75 Carrie Rickey
    The trippy creation of onetime marine biologist Stephen Hillenburg, SpongeBob is a cockeyed optimist toiling at the bottom of the fast-food chain.
    • 71 Metascore
    • 75 Carrie Rickey
    DuVernay has confidence in her actors that is reciprocated in kind. Richardson-Whitfield gives a remarkably empathetic performance.
    • 78 Metascore
    • 75 Carrie Rickey
    A disturbing and forceful drama.
    • 64 Metascore
    • 75 Carrie Rickey
    Fraser and Elfman are goofily endearing even if they seem more sincere acting opposite the rabbit and the duck than they do each other.
    • 56 Metascore
    • 75 Carrie Rickey
    So what if the movie isn't finger-lickin' good like the original? The performances by Hanks as a crook and Irma P. Hall as his honorable landlady are mighty tasty.
    • 59 Metascore
    • 75 Carrie Rickey
    Fugard’s classic minimalist drama comes eloquently to film.
    • Philadelphia Inquirer
    • 77 Metascore
    • 75 Carrie Rickey
    It is a difficult and demanding movie, one that rewards the persevering moviegoer just as Pollock's difficult and demanding paintings ultimately reward the steadfast.
    • 86 Metascore
    • 75 Carrie Rickey
    Fan's fly-on-the-wall perspective enables the viewer to empathize with all the players in the family drama, unlikely to have a happy ending.
    • 56 Metascore
    • 75 Carrie Rickey
    When the film focuses on the Trojans, it's splendid. But when Troy attempts to sort out the competing agendas of the Greeks, it drags.
    • 65 Metascore
    • 75 Carrie Rickey
    Vintage Terry Gilliam, a pour not to all tastes but one certain to please lovers of "Time Bandits" and "The Adventures of Baron Munchausen."
    • 66 Metascore
    • 75 Carrie Rickey
    Sisterhood is Stand by Me for girls, as sullen, plucky, melodramatic, exuberant, athletic, graceless, crafty, artistic, arrogant, modest, helpless and resourceful as its teenage heroines.
    • 51 Metascore
    • 75 Carrie Rickey
    The performances in Girl, Interrupted resonate, but the movie does not.
    • Philadelphia Inquirer
    • 63 Metascore
    • 75 Carrie Rickey
    Richard Wenk's script, taut and enjoyable, pays homage to those police procedurals, with a nod to the Brazilian hostages-on-mass-transit documentary, "Bus 174."
    • 78 Metascore
    • 75 Carrie Rickey
    With Insomnia, his third feature, Nolan, 32, has proven himself a precocious master of the thriller, unsettling the audience with a brief image of blood seeping through fabric.
    • 67 Metascore
    • 75 Carrie Rickey
    For those who have seen Tarkovsky's moody original, let me say that Soderbergh skims the fat from the 1972 film. What's left is a rich stew of longing.
    • 57 Metascore
    • 75 Carrie Rickey
    The sequences with the melancholy Faunia are monochromatic and those with Lester perfunctory. Benton too neatly -- and too hastily -- wraps up a story that would surely exert more power if it were messy and unrushed.
    • 54 Metascore
    • 75 Carrie Rickey
    However improbable this sounds, The Brady Bunch Movie is to the original television show what real grass is to Astroturf. [17 Feb 1995, p.03]
    • Philadelphia Inquirer
    • 63 Metascore
    • 75 Carrie Rickey
    Shamelessly entertaining.
    • 79 Metascore
    • 75 Carrie Rickey
    Plays like an exalted episode of "Miami Vice" or a stealth version of "Shane."
    • 69 Metascore
    • 75 Carrie Rickey
    In Yoo Hoo, Mrs. Goldberg, Kempner gives us a balance of artist and alter ego, introducing us to a woman we'd like to know even better.
    • 53 Metascore
    • 75 Carrie Rickey
    If there were truth-in-titling, Burton's movie rightly would be called "Alice in Narnia: With Stops at Disneyland, the Shire, Rohan, Naboo, and Oz."
    • 52 Metascore
    • 75 Carrie Rickey
    Roos introduces the possibility that perhaps two partials add up to the whole truth, and in so doing creates a provocative love story that sticks with you long after the credits roll.
    • Philadelphia Inquirer
    • 78 Metascore
    • 75 Carrie Rickey
    A lyrical and delightfully goofy study in romantic longing.

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