Carmen Gray

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The Film Verdict, Total Film
For 11 reviews, this critic has graded:
  • 54% higher than the average critic
  • 0% same as the average critic
  • 46% lower than the average critic
On average, this critic grades 7.1 points higher than other critics. (0-100 point scale)

Carmen Gray's Scores

  • Movies
  • TV
Average review score: 73
Highest review score: 80 Call Me Kuchu
Lowest review score: 60 One Life
Score distribution:
  1. Positive: 7 out of 11
  2. Mixed: 4 out of 11
  3. Negative: 0 out of 11
11 movie reviews
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    • 78 Metascore
    • 80 Carmen Gray
    Love Exposure
    It’s as mad as a box of frogs, but a strain of melancholy romance adds emotional backbone to the gags, gore and kung fu.
    • 87 Metascore
    • 80 Carmen Gray
    Poetry
    Devoid of the ultra-violence so often associated with Korean cinema, Poetry is quiet and unhurried, making its portrait of social bleakness all the more impactful.
    • 67 Metascore
    • 60 Carmen Gray
    The Wall
    The sci-fi premise seems preposterous, but get beyond that and Gedeck’s predicament absorbs.
    • 80 Metascore
    • 80 Carmen Gray
    Call Me Kuchu
    A timely, gut-wrenching but ultimately hopeful work.
    • 68 Metascore
    • 60 Carmen Gray
    One Life
    Daniel Craig makes a decent fist of the narration. But you could also do without its gush about the “incredible journey” all beings on the planet share.
    • 79 Metascore
    • 80 Carmen Gray
    Tabu
    This blend of tongue-in-cheek exoticism and desire so strong it makes crocodiles melancholic amply rewards your patience.
    • 52 Metascore
    • 60 Carmen Gray
    Pusher (2012)
    Banking on exec-producer Refn's name, this glossy dealer-in-debt remake gets plenty right but lacks the hard-hitting vibe of the cult original, or a fresh take on gangster-pic London.
    • 69 Metascore
    • 60 Carmen Gray
    Diana Vreeland: The Eye Has to Travel
    A fashion world Who's Who offer accolades, while Vreeland's vulnerabilities are revealed in interviews telling how, ridiculed by her socialite mother as ugly, she invented herself on her own terms.
    • 63 Metascore
    • 80 Carmen Gray
    Keyhole
    Though self-referential to a fault, the deadpan humour, frayed logic and monochrome dazzle cast their own richly peculiar spell.
    • 60 Metascore
    • 80 Carmen Gray
    Men on the Bridge
    Showing a keen, compassionate eye for human observation, Özge reveals how each of his character's lives is as gridlocked as the cars on the bridge.
    • 76 Metascore
    • 80 Carmen Gray
    Bill Cunningham New York
    A documentary that'll make more than just fashionistas smile.

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