For 7 reviews, this critic has graded:
  • 71% higher than the average critic
  • 0% same as the average critic
  • 29% lower than the average critic
On average, this critic grades 7.3 points lower than other critics. (0-100 point scale)

Anya Stanley's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 83 Fear Street Part One: 1994
Lowest review score: 25 The Forever Purge
Score distribution:
  1. Positive: 3 out of 7
  2. Negative: 1 out of 7
7 movie reviews
    • 48 Metascore
    • 58 Anya Stanley
    Nekrasova borrows from the best, courting comparisons to more highbrow pictures like Eyes Wide Shut and The Tenant. But she clearly started with an aim to get a rise out of people, and working backwards from there resulted in some slapdash storytelling.
    • 37 Metascore
    • 42 Anya Stanley
    Though Eubank and Landon deserve some credit for mixing up the Paranormal Activity storytelling formula, it remains clear that there’s not many scares left to milk from this franchise.
    • 72 Metascore
    • 75 Anya Stanley
    The Candyman of 2021 represents more than he did three decades ago—indeed, more than a 91-minute movie can adequately explore. But there are worse crimes for a movie to commit than having too many ideas.
    • 61 Metascore
    • 67 Anya Stanley
    Fear Street Part Two: 1978 repeatedly gets bogged down by its music and the atmosphere but earns its rightful place alongside the sleepaway camps and the crystal lakes. Janiak delivers all of the vicious fun of its slice and dice predecessors, with the bonus of characters who matter as they search for their own exits—from danger and themselves.
    • 67 Metascore
    • 83 Anya Stanley
    It warms the coldest of hearts to see an adaptation that not only seizes the spirit of the source material but provides a potentially formative experience of its own for any who may dare to hit “Play.”
    • 53 Metascore
    • 25 Anya Stanley
    In The Forever Purge, we’re told a story that a battered nation has heard a lot—a sermon of immigration and class warfare that’s too heavy-handed to say anything its prospective audience hasn’t been told on countless social media feeds over the last few years.
    • 43 Metascore
    • 58 Anya Stanley
    If only the filmmakers trusted their actors to convey the messages of this story, instead of burdening them with obvious, explanatory lines and speeches.

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