This encounter between a team of Canadian intelligence agents and a child detainee in Guantánamo has never before been seen. Based on seven hours of video footage recently declassified by the Canadian courts this documentary delves into the unfolding high-stakes game of cat and mouse between captor and captive over a four day period. Maintaining the surveillance camera style this film analyzes the political, legal and scientific aspects of a forced dialogue. (Films Transit International)

Fordson: Faith, Fasting, Football, an award-winning documentary, follows a predominately Arab-American high school football team from a working-class Detroit suburb as they practice for their big cross-town rivalry game during Ramadan, revealing a community holding onto its Islamic faith and the American Dream while struggling for acceptance in post 9/11 America. (AMC Independent)

Julian Perez, the most powerful man in Mexico, must embark on a mission given to him by the only authority he respects... his mother. Joined by a colorful band of infamous criminals, Julian must risk his life to fulfill his mother’s wish & rescue his brother from the war-ridden bowels of the most treacherous land in the world, Iraq. (Pantelion)

Damn! is the the story of Rent is 2 Damn High founder Jimmy McMillan, a Vietnam veteran, black belt Karate master, former stripper, and 70’s soul singer, who became an overnight sensation after his appearance on the 2010 New York gubernatorial debate went viral, receiving over 2 million views in 24 hours and lifting Jimmy from political obscurity into the international spotlight. In what becomes an unforgettable journey, Damn! is the only film to ever capture the rise of a viral sensation and the media fixation that follows as it all unfolds. It’s a sometimes funny and sometimes dark look into what happens when mass media, politics, and money all descend upon the life of one man. (The Disinformation Company)

Farmageddon highlights the urgency of food freedom, encouraging farmers and consumers alike to take action to preserve individuals’ rights to access food of their choice and farmers’ rights to produce these foods safely and free from unreasonably burdensome regulations. The film serves to put policymakers and regulators on notice that there is a growing movement of people aware that their freedom to choose the foods they want is in danger, a movement that is taking action with its dollars and its voting power to protect and preserve the dwindling number of family farms that are struggling to survive. (Kristin Canty Productions)

Crime After Crime tells the dramatic story of the legal battle to free Debbie Peagler, an incarcerated survivor of domestic violence. Over 26 years in prison could not crush the spirit of this determined African-American woman, despite the wrongs she suffered, first at the hands of a duplicitous boyfriend who beat her and forced her into prostitution, and later by prosecutors who used the threat of the death penalty to corner her into a life behind bars for her connection to the murder of her abuser. Her story takes an unexpected turn two decades later when two rookie land-use attorneys step forward to take her case. Through their perseverance, they bring to light long-lost witnesses, new testimonies from the men who committed the murder, and proof of perjured evidence. Their investigation ultimately attracts global attention to victims of wrongful incarceration and abuse, and becomes a matter of life and death once more.

In December 2005, Daniel McGowan was arrested by Federal agents in a nationwide sweep of radical environmentalists involved with the Earth Liberation Front-- a group the FBI has called America’s “number one domestic terrorism threat.” For years, the ELF—operating in separate anonymous cells without any central leadership—had launched spectacular arsons against dozens of businesses they accused of destroying the environment: timber companies, SUV dealerships, wild horse slaughterhouses, and a $12 million ski lodge at Vail, Colorado. With the arrest of Daniel and thirteen others, the government had cracked what was probably the largest ELF cell in America and brought down the group responsible for the very first ELF arsons in this country. If a Tree Falls: A Story of the Earth Liberation Front tells the remarkable story of the rise and fall of this ELF cell, by focusing on the transformation and radicalization of one of its members. Part coming-of-age tale, part cops-and-robbers thriller, the film interweaves a verite chronicle of Daniel on house arrest as he faces life in prison, with a dramatic recounting of the events that led to his involvement with the group. And along the way it asks hard questions about environmentalism, activism, and the way we define terrorism. Drawing from striking archival footage -- much of it never before seen -- and intimate interviews with ELF members, and with the prosecutor and detective who were chasing them, If a Tree Falls explores the tumultuous period from 1995 until early 2001 when environmentalists were clashing with timber companies and law enforcement, and the word “terrorism” had not yet been altered by 9/11. (Oscilloscope Laboratories)

Fifty years after winning the Pulitzer Prize, To Kill a Mockingbird remains a beloved bestseller and quite possibly the most influential American novel of the 20th Century. Nearly one million copies are sold each year and the novel has been translated into more than forty languages worldwide. The film version, starring Gregory Peck as Atticus Finch, won a trio of Academy Awards, and the U.S. Postal Service's new stamp honoring Peck depicts him wearing glasses, as Finch. Behind it all was a young Southern girl named Nelle Harper Lee, who once said that she wanted to be South Alabama's Jane Austen. Hey, Boo explores Lee's life and unravels some of the mysteries surrounding her, including why she never published again. Containing never-before-seen photos and letters and an exclusive interview with Lee’s sister, Alice Finch Lee, the film also brings to light the context and history of the novel's Deep South setting and the social changes it inspired after publication. (First Run Features)

My Perestroika follows five ordinary Russians living in extraordinary times — from their sheltered Soviet childhood, to the collapse of the Soviet Union during their teenage years, to the constantly shifting political landscape of post-Soviet Russia. Together, these childhood classmates paint a complex picture of the dreams and disillusionment of those raised behind the Iron Curtain. (Red Square Productions)

RABBIT À LA BERLIN is the 2010 Academy Award-nominated story of thousands of wild rabbits which lived in the Death Zone of the Berlin Wall. This is the first film showing the story of the Wall and the reunification of Germany seen from such an unusual perspective – from the rabbits' point of view. As if the green belt between the two walls was designed for those animals - full of untouched grass, the predators stayed behind the wall and the guards made sure no one disturbed the rabbits. They had been living there for 28 years, enclosed but safe. With the fall of the Wall in 1989, the rabbits had to look for another place to live. (Icarus Films)

In a country where 58% of African American 4th graders are functionally illiterate, The Lottery uncovers the failures of the traditional public school system and reveals that hundreds of thousands of parents attempt to flee the system every year. The Lottery follows four of these families from Harlem and the Bronx who have entered their children in a charter school lottery. Out of thousands of hopefuls, only a small minority will win the chance of a better future. (Variance Film)

In The Sun Behind the Clouds, Tibetan filmmaker, Tenzing Sonam, and his partner, Ritu Sarin, take a uniquely Tibetan perspective on the trials and tribulations of the Dalai Lama and his people as they continue their struggle for freedom in the face of determined suppression by one of the world’s biggest and most powerful nations. The filmmakers had intimate access to the Dalai Lama and followed him over the course of an eventful year, which included the 2008 protests in Tibet, the international response to it, the Beijing Olympics, and the breakdown in talks between the Dalai Lama and the Chinese government. (White Crane Films)

American Radical is the probing documentary portrait of American academic and activist Norman Finkelstein. A devoted son of holocaust survivors, ardent critic of Israeli and US Mid-East policies and author of six provocative books–including The Holocaust Industry, Beyond Chutzpah and the soon-to-be-released A Farewell to Israel: The Coming Break-Up of American Zionism, Finkelstein has been at the center of many intractable controversies. Called a lunatic and a self-hating Jew by some and an inspirational, street-fighting revolutionary by others, Finkelstein is a deeply polarizing figure whose struggles arise from core questions about freedom, identity and nationhood. Following him as he presents his message to audiences around the globe, American Radical provides an intimate portrait of the man behind the controversy, giving voice to Finkelstein’s critics as well as his supporters. (Typecast Releasing)

The 2008 Presidential Campaign was an extraordinary moment in U.S. history—not only because of the race and gender of the candidates, but also because of the passions they inspired. Millions of Americans and hundreds of organizations became actively engaged in the democratic process of choosing the next president. Labor Day, a new feature documentary directed by two-time Oscar Nominee, Glenn Silber, tells the inspiring, largely unknown story of one of them, the Service Employees International Union (SEIU), the nation’s fastest-growing labor union with more than two million members. Labor Day is a chronicle of this union’s mobilization to ensure a Democratic victory in 2008. For Labor, the Presidential campaign was mission critical. After eight years of Republican policies, the SEIU felt an incredible sense of urgency to change the direction of the economy and the country. [River Lights Pictures]

This documentary paints a meticulous and damning portrait of the media's coverage of the Iraq war. (Cinema Libre)

After the India of Varanasi's boatmen, the American desert of the dropouts, and the Mexico of the narco-assassin, Gianfranco Rosi've Decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome's giant ring road, the GRA, or GRA-to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of this winding zone.