The second full-length release for the Aaron Jerome project features guest appearances from A$AP Ferg, Ezra Koenig, Koreless, Denai Moore, Caroline Polachek, Raury, Sampha, Jessie Ware, and Warpaint.

The third full-length studio release from Aaron Jerome under the name SBTRKT features guest appearances by Anna Of The North, Saya Gray, Kai-Isaiah Jamal, Leilah, Little Dragon, George Riley, Sampha, Teezo Touchdown, and Toro Y Moi.

The fourth full-length studio release is the first for the instrumental rock band with new guitarist Mark Michell.

The debut full-length release for British quartet Scalping features guest appearances from DÆMON and Grove.

The ninth album for the Texas-born rapper features guest appearances from Bilal, Bun B, Lil Wayne, J. Prince, Papa Rue, Slim Thug, and Z-Ro.

The rapper from Houston releases his latest album, which features artists such as Lil Wayne, T.I., and Wacko.

The debut album by actress Scarlett Johansson was produced by TV on the Radio's Dave Sitek.

The debut album for the band that includes System of a Down's Daron Malakian and John Dolmayan.

The Chicago-based sextet put out a melodic rock album mostly about death.

The second album for acclaimed German electronica outfit Schneider TM (actually just one man, Dirk Dresselhaus) contains a mix of Mouse On Mars-like glitchy instrumental compositions and more poppy vocal tracks.

The fourth release by Dirk Dresselhaus as Schneider TM is based on sounds he recorded around construction sites near his house.

Field Music's David Brewis releases his first album under his solo project School Of Language since 2008's Sea from Shore.

Donald Trump is the central figure of the third full-length release from the side project of Field Music's David Brewis.

The follow-up to the New York dream pop duo's third release is a four-track EP.

The debut album for the band led by ex-Secret Machines member Benjamin Curtis.

On their second album, School of Seven Bells cast themselves as an update of a specific kind of misfit band. Alpinisms reconstituted late-’80/early-‘90s shoegaze. Disconnect from Desire, however, updates the sound of a kind of band that would have opened for Peter Gabriel and Eurythmics, or headlined over Revolver, rather than tour with the likes of Lush, Ride, and Pale Saints. Here, a focused songcraft and central placement of the Deheza twins’ alluring vocals -- which tend to be lower and more earthly than they were on the debut -- disallow School of Seven Bells from being squarely shoegaze. At the same time, the band is too left of center, too odd, to be considered anywhere near the mainstream. Their cleaner, less wispy, more muscular sound, combined with more traditional songwriting, is not that radical a change. It’s closer to a slight shift that registers after a couple spins, once it becomes apparent that deeply emotive and relatively sparse songs like “I L U,” “Joviann,” and “The Wait” would have made excellent tracks buried throughout Sire’s Just Say series. They have shoegaze lyric-generator staples like wind, waves, ocean, storms, and even talk of “slipping away.” And yet, the words are not merely functional, written solely for the sake of complementing the sound as an additional instrument. They’re either poetically vague or vaguely poetic -- stuff like “Let me will the dial to turn and gild the air with silver pearls of rain” and “When’s the wait a cradle in which you’re lulled from time to time, soundly spun into an insensate lie.” The thicker, more driving songs resemble a polished, warm Curve, whipping up squalls of noise over robust played-and-programmed rhythms that soar more often than batter. No matter the amount of layering, not a single element is obscured. This vivid directness suits them very well. ~ Andy Kellman

Alejandra Deheza and Benjamin Curtis were working on the Brooklyn band's fourth (and now final) album when Curtis died from lymphoma in December 2013.

The third album for the dream pop group is its first without Claudia Deheza and it tells a story about the ghosts that surround a girl named Lafaye.

The major label debut release for the Los Angles rapper features guest appearances from 2 Chainz, BJ the Chicago Kid, Kurupt, Jay Rock, Raekwon, Suga Free, and Tyler The Creator.

The fifth full-length studio release for the Southern California rapper features guest appearances from 21 Savage, 6LACK, Kid Cudi, Lil Baby, Travis Scott, Ty Dolla $ign, and YG.

The sixth full-length studio release from rapper Schoolboy Q features guest appearances by Ab-Soul, Az Chike, Childish Major, Freddie Gibbs, Jozzy, Devin Malik, Rico Nasty, and Lance Skiiiwalker.

The fourth full-length release for the Los Angeles rapper features guest appearances from Anderson .Paak, E-40, Jadakiss, Miguel, Candice Pillay, Lance Skiiiwalker, Vince Staples, SZA, Tha Dogg Pound, TF and Kanye West.

A$AP Rocky, Dom Kennedy, Curren$y, and Kendrick Lamar are some of the guests on the Los Angeles rapper's second album on Top Dawg Entertainment.

The box set for the 1970-80s Australian punk rock band collects all of its studio releases as well as a disc of live tracks including an unreleased recording from Adelaide UniBar.

The first new full-length release for the Australian post-punk band in 35 years with the line-up that includes Kim Salmon, Tony Thewlis, Boris Sujdovic and Leanne Cowie was recorded by Jozef Grech and Myles Mumford.

The fourth album for the dance band led by Jake Shears includes production by Diplo, Calvin Harris, Dean John Horton, The Neptunes, Stuart Price, and Alex Ridha.

The third album for the dance quartet was inspired from a night at a Berlin club and was produced with Stuart Price.

The surprisingly successful party band's second album includes a track co-written with Elton John.

Although a New York band, Scissor Sisters (as evidenced by this debut disc) are definitely not part of the typical New York scene, eschewing garage and no wave to embrace campier, glammier 70s and 80s rock and dance music sounds. Included here is the band's cover of Pink Floyd's "Comfortably Numb."

The full-length debut for the Austin five-piece blues rock band was produced by Chris "Frenchie" Smith.

Allister bassist Scott Murphy teamed up with Weezer's Rivers Cuomo on this Japanese language rock release.

This is the third full-length release for the Australian garage rock band led by Craig Dermody.

The second full-length release for the music project of Australian Craig Dermody was influenced by his move to New York.

The ninth full-length release for the Texan blues/county-rock singer-songwriter was recorded in his home studio.

Rock, country, and blues are just some of the influences on Scott H. Biram's latest release.

The eighth full-length release for the Texas artist was recorded in his home studio.

The third full-length release for the Toronto-based indie artist Scott Hardware features contributions from Dan Lee, Jonathan Pappo, Robyn Phillips, and Caitlyn Woelfle-O'Brien.

The soundtrack to Brady Corbet's 2015 film that was inspired by a short story by Jean-Paul Sartre about the childhood of a future Fascist leader is the second film score for the avant-garde artist.

The second collaboration between Scott Walker and Sunn O))) is a five-track album produced by Scott Walker and Peter Walsh.

The legendary singer-songwriter and one-time teen idol re-emerges with his first album in 11 years. Anyone expecting conventional rock or pop should look elsewhere, however, as it is even more challenging than previous release 'Tilt.'

The first studio solo release for the American-born singer-songwriter since 2006's The Drift was recorded over three years.

The second solo effort for the Stone Temple Pilots singer was produced with Doug Green and Steve Albini.

The new solo project for the Stone Temple Pilots and Velvet Revolver singer features a new backing band called the Wildabouts.

The debut album for the 10th season American Idol winner was produced by Mark Bright.

The second country release for the American Idol winner was produced by Frank Rogers.

The English singer-songwriter has drawn comparisons to PJ Harvey, Cat Power and even Kurt Cobain for her sometimes abrasive, sometimes minimal, bluesy sound.

The latest album for the singer-songwriter was produced by Steve Albini and is her first with Drag City.

The British-born, Portland-based artist was backed by Jose Medeles, Dan Wilson, Saunder Jurriaans, Banny Bensi, and Emil Amos on her sixth full-length studio release.

Andy Green returns as producer for the second album for the British indie rock band.

The second full-length release (and its first on the Dead Oceans label) for hardcore group Scowl was produced by Will Yip.

The first full-length studio release from New Jersey punk band Screaming Females in five years was produced by Matt Bayles.

The seventh full-length release for the New Jersey punk trio was produced by Matt Bayles.

The sixth full-length release for the New Jersey rock trio was produced by Matt Bayles.

Steve Albini produced the fifth album for the New Jersey punk trio.

With twelve studio albums under their belt, the punk band from Chicago returns with their first release in eleven years.

Not-so-prolific Welsh singer-songwriter Green Gartside returns with his first Scritti Politti album in seven years.

This is the fourth full-length release for the British electronic musician Paul Rose.

The third album for dubstep DJ Paul Rose aka Scuba mixes dubstep, techno, and bass.

The latest Fabric mix series features the Berlin-based British electronic producer and proceeds are to be donated to the #saveourculture campaign to help the Fabric club's legal and staffing costs.

Paul Rose, otherwise known as Scuba, heads this compilation for the DJ-Kicks series.

The first release of new songs from the Massachusetts-based alt-country/folk band since 1996 was produced with Frank Padellaro.

This is the debut full-length release for Milwaukee-based grime producer Peter Runge.

The second full-length release for British indie rock band Sea Girls features production from Jonny Coffer, Larry Hibbitt, Jacknife Lee, and Cass Lowe.

The debut full-length release for the British indie rock band (which despite its name has no female members) was produced by Larry Hibbitt.

This is the debut album for Julie Ann Baenziger, who wrote, sang, and played all the instruments on the release.

The second full-length album for Julie Ann Baenziger as Sea of Bees was written after a breakup.

The third full-length release for the Sacramento indie pop project of Julie Baenziger was produced by John Baccigaluppi.

This is the second full-length release from the Belfast indie pop trio.

This is the seventh full-length release for the British band previously known as British Sea Power.

Frontman Alex Brown Church wrote, produced, and record the third full-length album for his indie-folk band.

The second full-length album for the rock band was produce by Mike Mogis.

This is the second album for the Icelandic group which started as a solo project for Sindri Mar Sigfusson.

This loud but eclectic disc marks the debut for the sextet from Nottingham, England.

The second full-length release for the Southern California indie rock band was produced by Ben Brodin.

Seal sings some classic soul songs on his sixth album produced by David Foster.

Never one for original album titles, Seal returns with just his fourth LP in his 12+ year recording career. Trevor Horn produces.

Seal's second collection of classic soul covers was coproduced by David Foster and Trevor Horn.

Seal's first studio album since 2003 includes a duet with his wife Heidi Klum.

The debut full-length studio release for British electronic producer James Welch was recorded in four different locations in Berlin.

The second full-length release for the Irish singer-songwriter was produced with Leo Abrahams.

The third full-length studio release for the London-based Irish singer-songwriter was self-produced.

The second album for the Jamaican-born singer features Good Charlotte, Pitbull, and Wyclef Jean as guest artists.

This is the debut acoustic album for Sean Lennon and his girlfriend Charlotte Kemp Muhl.

The singer's first album in eight years includes instrumental help from Jon Brion and Matt Chamberlain, as well as guitarist Harper (son of Paul) Simon.