The sixth volume of Legacy's Miles Davis Bootleg Series feature five concerts in March 1960 with John Coltrane: Two at Paris' L'Olympia, two at Stockholm's Konserthuset, and one from Copenhagen's Tivolis Koncertsal.

The second full-length solo release for the punk artist features contributions from Bikini Kill/The Julie Ruin's Kathleen Hanna, Les Butcherettes' Teri Gender Bender, Bratmobile's Allison Wolfe, and Francisca Valenzuela.

The three-disc box set includes 30 previously unreleased tracks from the 1970s experimental group whose full name was The Entourage Music & Theatre Ensemble.

The collaboration between Alasdair Roberts, Amble Skuse, and David McGuinness features eight traditional Scottish songs.

This is the debut full-length release for the trio that includes Fugazi's Brendan Canty and Joe Lally as well as Anthony Pirog.

The third full-length solo release for The White Stripes/The Raconteurs artist features contributions from C.W. Stoneking, Esther Rose and Ann & Regina McCrary of The McCrary Sisters.

The latest release from the indie rock band led by the prolific Robert Pollard introduces Mark Shue and Bobby Bare, Jr. to the line-up.

The second full-length release for the Brooklyn indie pop trio of Julia Cumming, Nick Kivlen, and Jacob Faber was co-produced by Unknown Mortal Orchestra's Jacob Portrait.

The third full-length release for the project of Stereolab's Tim Gane was recorded to tape over three one-hour sessions.

The sixth full-length release for the Arizona-born singer-songwriter was produced by Mark Howard.

The third full-length release for the Canadian post-punk quartet was produced by Justin Meldal-Johnson.

The eighth full-length studio release from the Washington D.C psychedelic indie rock band features guest appearances from former members: Mark Laughlin, Stephen McCarty, and Cory Shane.

The debut full-length release for the British indie rock band was produced by Jolyon Thomas (James Dring and Hugo White also produced one track each).

This is the debut full-length release for the Japanese quartet of Kana, Mana, Yuna, and Yuuki.

The second full-length release from Royce da 5'9" and DJ Premier features guest appearances from 2 Chainz, Big K.R.I.T., Chavis Chandler, Dave East, CeeLo Green, Roc Marciano, Novel, Denaun Porter, Rapsody, Summer of '96, Brady Watt and Yelawolf

Thundercat's 2017 album Drunk gets remixed by OG Ron C and DJ Candlestick of the Chopstars.

The third installment of the German electronic artist's Uni trilogy features a guest appearance by Anne-James Chaton.

The debut full-length release for the collaboration between John Grant and Wrangler (Stephen Mallinder, Phil Winter and Benge Edwards)

The eighth full-length release for the band led by Colin Meloy was produced by John Congleton

The 15th full-length release for the New Jersey indie rock trio is its first featuring new songs since 2013's Fade.

This is the debut full-length from the Tel-Aviv-based indie electronic pop trio of Roy Avital, Yoav Saar and Johnny Sharon.

The collaboration between Dungen and Woods was recorded in a week after performing together at the Marfa Myths festival in 2017.

The first new release for the San Diego post-hardcore band in 14 years was self-recorded and produced.

The fifth full-length release for the French Canadian husband-and-wife duo was inspired by n Philip K. Dick's A Scanner Darkly.

The ninth full-length release for Phil Elverum as Mount Eerie was written soon after the release of 2017's A Crow Looked At Me.

The second self-titled release for the alternative rock band is the first to features former The X Factor contestant Jeff Gutt as its lead singer.

The covers album from the singer-songwriter features such 1980-90s songs as George Clinton's "Atomic Dog 2017," Janet Jackson's "Funny How Time Flies (When You're Having Fun)," Prince's "Sometimes It Snows in April," Sade's "Smooth Operator," Tina Turner's "Private Dancer," and "TLC's "Waterfalls."

The fifth full-length release fro the Scottish trio was produced by Tony Hoffer.

The gospel-influenced 16th full-length studio release for the rap artist features guest appearances from such artists as Chris Bolton, Kim Burrell, The Clark Sisters, Daz Dillinger, Faith Evans & 3rd Generation (Bereal Family), Jazze Pha, Patti LaBelle, Mali Music, Sly Pyper, and Charlie Wilson.

The second full-length release for the British alternative rock trio was inspired by frontman Mark Holley's trips to Iceland (Reiði is Icelandic for rage) and Adrian Bushby returned as producer.

This is the latest solo release for the Japan-based producer who previously released music under the name of Celer.

The second full-length release for Caroline Sallee was self-recorded in her parents' basement in Alabama.

The second full-length studio release for the Atlanta rapper features guest appearances from 2 Chainz, Jban$2Turnt, K$upreme, Lil Baby, Lil Pump, Offset, PnB Rock, Quavo, Tee Grizzley, Trippie Redd, Ugly God, and YoungBoy Never Broke Again.

The first solo release for the Talking Heads frontman in 14 years is part of a larger project called "Reasons to Be Cheerful" and features contributions from Brian Eno, Jam City, Oneohtrix Point Never, and Sampha.

Kevin Barnes moved away from live band recording for the indie rock band's 15th full-length stdio release.

The 14th full-length studio release for the industrial metal band led by Al Jourgensen is its first without guitarist Mike Scaccia, who passed away in 2012.

The first of a planned two-part concept album from the North Carolina prog-metal band.

The debut full-length release for the Portland, Oregon singer-songwriter was produced by Zak Kimball.

The third full-length release for the Edinburgh-based trio was recorded in the band's studio.

The second full-length release for the British electronic producer features guest appearances from Lil Silva, Hudson Scott, Tracey Thorn.

The second full-length release for the Denver-based band was produced by Richard Swift.

The third full-length release for the Canadian band led by Nigel Chapman was recorded and mixed by Howard Bilerman and Mike Wright.

The 18th full-length studio release for the British heavy metal band led by Rob Halford was produced by Tom Allom and Andy Sneap.

The sixth full-length release for the British rock band was produced with Leo Abrahams and Benjamin John Power.

The third collection of tracks from the legendary artist between 1968 and 1970 includes early studio session with the Band of Gypsys and two tracks with Stephen Stills .

The fourth full-length solo release for The Strokes' guitarist was produced by Gus Oberg.

The second full-length release for the British indie rock band led by Felix Bush was produced by Neil Comber and features a guest appearance by Wolf Alice's Ellie Rowsell.

The debut full-length release for Common, Robert Glasper and Karriem Riggins features guest appearances from Bilal, Brandy, Estelle, and Samora Pinderhughes.

The third full-length release for the British emo band was produced by Beau Burchell.

The debut full-length solo instrumental release from the Korean composer/multi-instrumentalist features traditional Korean instruments.

The sixth full-length solo release for the Canadian guitarist was recorded in Paris and was produced with Cyril Harrison.

The synth-pop band rerecord 2017's World Be Gone as a post-classical release in 10 days with the Echo Collective.

The latest release for the Brooklyn rock band was recorded over several years and at various locations including Barcelona.

The third full-length release for the Los Angeles alternative rock band was produced with Lars Stalfors.

The fifth full-length release for the British rapper features guest appearances from Umar Bin Hassan, Julie Dexter, Wayne Francis, Ladonna Harley-Peters, Phillip Harper, N'fa Jones, Deborah Jordan, Lasharvu, Malik MD7, Randolph Matthews, Mpho, Remi, John Robinson, Rootz, and Jason Yarde.

The latest release for the Glasgow-based experimental artist was intended to mailed to multiple labels and use the rejection letters to create an art project, but Tim Burgess heard some songs and signed Youngs to his label.

The 15th full-length release for the Los Angeles-based electronic artist is said to be inspired by trip-hop music.

The debut full-length release for the Los Angles post-punk trio of Sean Solomon, Pascal Stevenson, and Andrew MacKelvie was recorded by Alex Newport.

This is the debut full-length release for the London-based eight-person indie pop collective.

The ninth full-length studio release for the Boston alternative rock band was produced by Dave Minehan.

The singer-songwriter worked with Rhys Edwards on her second full-length release sung entirely in the Cornish-language.

The fifth full-length release for the indie punk band led by Patrick Stickles features a cover of Bob Dylan's "(I'm) Like a Rolling Stone" and was produced by Kevin S. McMahon.

The debut full-length release for the Nashville indie singer-songwriter was produced by Gabe Wax and mixed by Ali Chant.

The fourth full-length release for the Swedish singer-songwriter features a 20th century pipe organ and was produced by Randall Dunn.

The third full-length solo release for the Los Angeles singer-songwriter/producer features guest appearances from Father John Misty, Lana Del Ray, Laraaji, and Lucius.

This is the first new full-length studio release for the hard rock artist in nine years.

The first new studio release from alternative rock in 10 years features the same line-up (Kelley and Kim Deal, Josephine Wiggs, and Jim Macpherson) that was on 1993's Last Splash and includes contributions from Courtney Barnett and Steve Albini.

The fifth full-length solo release for the Everything But The Girl singer features guest appearances from Bailey Rae and Shura.

The second full-length release for the Virginia-based indie singer-songwriter was produced by Collin Pastore and mixed by John Congleton.

The fourth full-length release for the Canadian quartet was self-produced and mixed by John Congleton.

The seventh full-length release for the Brooklyn post-punk band was recorded with Travis Harrison.

The first full-length studio release in a decade for the folk singer-songwriter features covers of songs by such artists as Anohni, Mary Chapin Carpenter, Tim Eriksen, Joe Henry (who also produced the album), and Josh Ritter.

The second full-length release for the Australian trio of Georgia McDonald, Kelly-Dawn Hellmrich and Sarah Thompson was recorded in two-and-a-half days.

The fifth full-length studio release for the British rock band was recorded and mixed by Lewis Johns.

The fourth full-length release from the youngest son of Fela Kuti features a guest appearances from Carlos Santana and was produced by Robert Glasper.

The second full-length release for the Canadian rapper features guest appearances from 50 Cent, Davo, Fabolous, Paloma Ford, Future, Mansa, NAV and Wiz Khalifa.

The debut full-length release for the Los Angeles-based footwork producer features guest appearances from DJ Lucky, DJ Manny, DJ Paypal, Chuck Inglish, Odile Myrtil, Fabi Reyna, and UNIIQU3.

The third full-length release for the Baltimore duo of Ed Schrade and Devlin Rice was produced by Dan Deacon (who also co-wrote, arranged and played synthesizers on the album) .

This is the debut full-length studio release for producer Eddie Ruscha, who previously released music under the name Secret Circuit.

The second full-length release for the Baltimore hardcore band was produced by Will Yip.

The 10th full-length release for the saxophonist (and oldest son of Afrobeat artist Fele Kuti) was recorded mainly in Lagos with his band Positive Force.

The four-disc set features the Scottish singer-songwriter's first three Transatlantic albums (Bert Jansch, It Don't Bother Me, and Jack Orion) as well as the 1966's Bert And John, a collaboration with John Renbourn (who would later join Jansch in the folk band Pentangle).

The first new release in 15 years for the Ethiopian keyboard and accordion player features contributions from Tony Buck and Mike Majkowski.

The fifth full-length release for British psychedelic punk duo of Holly Ross and David Blackwell was produced by Dave Fridmann.

The second full-length release for the New York post-punk band led by John Eatherly was produced by Patrick Wimberly.