User Score
Mixed or average reviews- based on 74 Ratings
User score distribution:
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Positive: 25 out of 74
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Mixed: 15 out of 74
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Negative: 34 out of 74
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Jun 16, 2018Don't know why people cannot accept change. Yes, the album marks a shift from much of the band's previous work, but this does not mean that it is worse, it's just different. People, and so artists as well, change and evolve, get used to it.
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Nov 2, 2018A very consistent album that marks a change for the band. They are making music they want to make instead of sticking with the same sound. This is not a rock album it is a blend of electronic rock and indie. Favourites include Love Is Madness, One Track Mind, Dangerous Night, Remedy and Rescue Me
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Apr 20, 2018The genre sidebar on this site has some serious problems. Just ridiculous those people throwing sick words to this record. I'm giving it a ten cause it deserves a higher score.
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May 11, 2018Jared Leto needs this excessive autotune? I loved the last album, so I was looking forward to this album. What a sad surprise. I hope the next one is good, I know their talent and potential.
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May 23, 2018Great work with some recent music tendencies, proving to be something original but not as original as their previous albums.
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Apr 18, 2018
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May 9, 2018Reviews proved to be divisive just as the band conceived the album, I guess they succeeded with their concept.
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May 30, 2018They used to be quite unique - releasing music that could appeal to both pop and rock fans. But this album is a misstep.
Extremely boring. Enought said. -
Apr 15, 2018Someone may not like its genre, but the album remains coherent with its concept and this makes it a great record.
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Apr 20, 2018
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Apr 25, 2018
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May 2, 2018
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May 20, 2018This review contains spoilers, click expand to view.
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Apr 15, 2018
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Apr 16, 2018Anyone who claims this is "creative" needs to listen to every other pop record released in the past 10 years.
They went the easy route and look where it got them.. a 4.5 on metacritic.. but of course it's their highest selling record because the kids will eat this **** up.
they aren't a band anymore.. call it the Jared Leto's solo project. -
Apr 26, 2018Guitar abandonment aside, there are still some great moments on the record. Great Wide Open is one of their best songs imho.
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May 14, 2018People still describing them as an actor's band need to move on. WTF get over it.
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May 22, 2018Absolute Trash. I LOVED their first three albums. I was only 11 so I never got to see them live and sadly never will because they've turned to **** and wouldn't want to waste my money. What a cruel world.
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Jun 13, 2018It was **** I just don't know how else to put it. A complete regression. Their older stuff was way better.
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Oct 6, 2018Eu sei que todos os artistas podem (e devem) inovar e experimentar coisas novas, mas... Este álbum, que representa uma mudança drástica no estilo do rock alternativo, simplesmente não foi desenvolvido o suficiente. Falta a energia dos trabalhos anteriores... Se isto é a América, eu não quero conhecê-la.
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Aug 30, 2019It's 1 and not 0 bc the band (read "Jared") took a leap into doing something else entirely, leaving rock, leaving the idea of good authentic music. Yea the end product is ugh but they tried. And I'm disappointed af
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Feb 5, 2022
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Kerrang!Apr 13, 2018America is an odd album, one that requires patience to unlock. [7 Apr 2018, p.54]
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Q MagazineApr 13, 2018Like Leto's performance in the risible Suicide Squad, the result is unsubtle, self-important and not half as good as it thinks it is. [Jun 2018, p.106]
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Apr 13, 2018America presents the most contemporary, Top 40-friendly version of Thirty Seconds to Mars to date. Bombastic drums and guitars have largely been replaced with fairly tame looped and programmed beats and ominous synths, basically reimagining Thirty Seconds to Mars as the glossy grungetronica of Imagine Dragons. Leto still screams like a banshee, but for once the sounds backing him don’t match his fury.