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CRITIC SCORE DISTRIBUTION | ||
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Positive:
50
Mixed:
6
Negative:
2
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Critic Reviews
Season 4 Review:
The supporting characters are written with as much attention to detail as the main characters, and the performances are just as winning, especially those of Borges and Donohue. You’re the Worst may feel like another example of snappy, snarky “new” sitcoms like “Difficult People” and “Casual,” but beneath its crisp dialogue beats the indefatigable heart of an old-fashioned romantic comedy.
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Season 3 Review:
Falk’s biggest challenge is to maintain our interest level in this wackadoodle sextet and especially in Jimmy and Gretchen because these probably aren’t the kind of people you’d want to spend too much time with in real life. He does that by making them all as vulnerable as they are insufferable.
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Season 2 Review:
The first two episodes of the second season are exceptionally funny. I should know; I watched them twice.... You can easily pick up in the second season and put the pieces together, fall for Falk’s searing, caustic and smart writing and the sharp interplay of the cast.
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IndieWireSep 8, 2015
Season 2 Review:
Gretchen, Jimmy and even Lindsay aren't exactly antiheroes. They're just on the wrong side of everyday folk, constructed to enthusiastically represent the repressed dark side in all of us while simultaneously conveying their largely sound logic for supporting an unsupported worldview. The fact creator and showrunner Stephan Falk can do all this in one of television's most addictively hilarious series only makes the series all the more delectable.
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Season 5 Review:
Not all of this season’s ideas are as successful. ... That’s not a fatal flaw in this kind of high-concept comedy, however, as long as the writing is imaginative and the performances snap. And 13 weeks from now, the landing is indeed stuck, in a finale that answers the questions and satisfies the emotions without short-selling the serious issues.
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Season 4 Review:
Falk has made us care about the characters in a way that allows them to behave badly, even cruelly, without having the audience lose sympathy for them. You watch this hour premiere and wait eagerly to see what the heck is going to happen to Jimmy and Getchen next week.
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TV Guide MagazineAug 18, 2016
Season 3 Review:
You're The Worst finds hilarity in Season 3 in the unstable fault lines of [Gretchen's] passionate but perversely ambivalent relationship with struggling author Jimmy. [22 Aug - 4 Sep 2016, p.17]
Season 5 Review:
The show has always been a delicate balancing act of cynicism and sincerity, and occasional stumbles this late into the process are inevitable. Some experiments work, like the way this week’s premiere feels like a wild detour until it becomes clear how much it has to say about Gretchen and Jimmy’s love story. (It’s the show’s best, funniest episode in quite some time.) Others don’t, like the latest spotlight on Lindsay’s outsized extended family.
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Season 4 Review:
You’re the Worst has always been in danger of growing too hip or too stale. So far the series has kept changing enough to avoid that. The early episodes of season four show promise. It seems some reckoning is on the way, but it could also signal the beginning of the end.
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Season 2 Review:
The show is mildly likable, with Chris Geere and Aya Cash as the grudgingly involved central couple, who chafe at any suggestion they might settle down or become boring like, well, other people. The central joke, however, has a repetitive quality, and if series creator Stephen Falk brings a singular voice to the proceedings, it’s partially dulled by the fact that every character essentially speaks with it.
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Season 1 Review:
The notion of two superficial, emotionally stunted human beings struggling with the realization that they still have feelings is by far the most interesting premise of these four shows. But Cash is significantly more appealing than Geere (in fairness, her character is a bit less horrible than his), and the overall execution falls short of the idea.... This one, at least, has the potential to be something more than it is at the moment.
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Season 1 Review:
The show mimics an indie-film sensibility, with each of the leads conveying just enough vulnerability to offset their odious ways, although it’s not clear that’s enough--especially with the duo essentially being the entire show. (His roommate, her friend and the kid neighbor all feel more like devices than characters.)
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Season 1 Review:
It should be noted that Geere and Cash are very, very good--they just need better material. (Unfortunately, the rest of the cast, even though they don't get much work, grind the show to a halt--an almost insurmountable problem except that Worst's penchant for trying to shock with crassness is really the stumbling block here).
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