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CRITIC SCORE DISTRIBUTION | ||
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Positive:
80
Mixed:
31
Negative:
2
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Critic Reviews
Season 4 Review:
A visual treat packed with both moments of beauty as well as true horror. But while the narrative is less cohesive this season, with its core characters scattered to the winds, its capacity to fascinate us remains intact, especially as the themes which have always been lurking in the show become more present.
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ColliderJun 24, 2022
Season 4 Review:
Ultimately, Westworld hasn't gone back to the place where it all started, and continues to expand its scope far beyond the borders of the park, but rather than this resulting in more disarray, what plays out are the exciting twists, turns, and surprises through time that will make anyone sit up and take notice.
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Season 2 Review:
Westworld is enthralling even for those who prefer a passive viewing experience. The sweeping shots of big-sky grandeur! The endlessly creative violence! (Three words: Human railroad crossties.) And the performances--Wood slips seamlessly between characters (Dolores, Rancher’s Daughter, Wyatt).
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IndieWireSep 29, 2016
Season 1 Review:
Some [episodes] are better than others, as the Nolans do their best to balance exposition and action; consideration and decision; questions and answers. Helping carry the load is a truly outstanding group of actors, led by the limitless talent within Evan Rachel Wood.
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Season 1 Review:
If all this sounds heady, pretentious or derivative, then Westworld may eventually turn out to be guilty as charged. But from at least from the first two episodes sampled, Westworld is also a genuinely different new series that offers something even better than that: It’s genuinely engaging.
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TV Guide MagazineApr 6, 2020
Season 3 Review:
The dazzling third season of the dense sci-fi thriller has raised the stakes and sharpened the focus of its mind-teasing existential premise. [30 Mar - 12 Apr 2020, p.9]
TV Guide MagazineApr 26, 2018
Season 2 Review:
Boldly playing with time and perspective, Westworld keeps you wondering what's real, even as dangerous parks are revealed. [30 Apr - 13 May 2018, p.13]
Season 2 Review:
[Westworld] impressively returns. ... The series usually hits the mark with strong storytelling that gives you a lot to ponder after the shooting is over. And the performances are outstanding. This year, the females are leading the way. Newton is a joy to watch and Wood shimmers, clearly embracing the new Delores.
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Season 1 Review:
With a star-studded cast (notably featuring Ed Harris, Evan Rachel Wood, Anthony Hopkins, James Marsden, and Jeffrey Wright), lush production design, epically sprawling story, and astonishingly huge budget, HBO is banking on the J.J. Abrams-produced Westworld to become a tentpole series. In a rare case, the network's investment pays off.
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TV Guide MagazineSep 29, 2016
Season 1 Review:
Lavishly produced, deeply fascinating and chillingly provocative adaptation. [3-9 Oct 2016, p.22]
Season 1 Review:
Westworld has its head near-bursting with new angles on old sci-fi themes, honoring the source material’s creator in the process, but it’s also a crowd-pleaser in the vein of HBO’s most pristine, top-shelf geek offerings that slowly eke out existence in the mainstream.
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Season 2 Review:
It takes a bit for Westworld to get back up to full steam, but by episode three (five hours were made available to TV critics), this futuristic, violent drama returns to fine form, introducing new parts of the park (Shogun World!), new characters and apparently new technology goals on the part of Delos, the corporation that owns Westworld.
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Uncle BarkyApr 19, 2018
Season 2 Review:
Throughout these first five episodes, Westworld continues to have a mind-bending mind of its own, sometimes to the point of being close to nonsensical. It’s also a non-stop killing field, and that gets to be off-putting after a while. But Westworld also remains picturesque, challenging and undeniably distinct.
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Season 2 Review:
Westworld season two goes to some unsettling and unpleasant places--it’s not always a fun watch--but as it settles into a chaotic groove, the show is becoming a thrilling mind-bender, laced with just enough intellectual resin to give all that bloodshed a savvy frisson of wit.
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Season 1 Review:
Like the park, Westworld operates on many levels, and the ones that take place below the park are less successful than the vibrant but violent world the programmers have built above. ... The saving grace is the interplay between Ford's sensitive second-in-command Bernard Lowe (Jeffrey Wright), obsessed with tweaking the code to imbue the hosts with ever more humanity, and the hosts, particularly Wood's Dolores, who can shift from sunny self-denial to clinical self analysis at a word from Lowe.
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Season 1 Review:
To endure as a TV series, Westworld will need to bridge the gap between its fascinating ideas and the blank canvases they’re projected upon. Fortunately, it’s not so lost in its thoughts to forget that a robot-cowboy show ought to have the occasional shootout, heist, or daring escape. And while it’s never as plainly satirical as the original film, it still exhibits a sense of humor.
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Season 1 Review:
Whether you’re intrigued by the characters, you’re still likely to be sucked in by the series’ mythology, a seemingly impossible puzzle that Ed Harris’ ice-cold gunslinger is dangerously determined to solve. ... In the nimble hands of the series’ creators, the disaster for which things are headed is guaranteed to be one of the beautiful variety.
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iJun 27, 2022
Season 4 Review:
It is still dense and intense – and yet remains hugely rewarding, provided you’re willing to expend your grey matter to keep up. In particular, it displays a refreshing determination to not repeat itself and it is great fun watching familiar characters adapting to changed circumstances.
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The Daily BeastJun 27, 2022
Season 3 Review:
This is a show that, like the most successful new tech, has shed its previous form and evolved into an entirely new product, which Nolan and Joy hinted at from the very beginning. It might take time to get used to, but after a while, we'll hopefully recognize it as an inevitable improvement that we couldn't imagine being without.
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Season 2 Review:
Westworld, with its florid dialogue and languid self-seriousness, isn’t as much fun as Twin Peaks was. But it’s also easy to see why Westworld is the much more popular show. It’s tapping in to currents in our culture, our feelings that the world has become a far more confusing place, with power struggles that threaten any possible unity or peace. We can’t saddle up and shoot-’em-up, but we can escape and watch others do it for us on Sunday nights.
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RogerEbert.comApr 18, 2018
Season 2 Review:
It loses its footing sometimes (it did in year one, too), but this is still smart television with film-caliber production values and incredible performances. Sometimes the writing can call a bit too much attention to itself, but the writers are smart enough in season two to avoid piling more puzzles on top of the ones they created in season one.
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Season 2 Review:
Season two doubles down on the show’s meta tendencies. The Man in Black repeatedly announces that, thanks to the revolt, the stakes of the “game” that is Westworld (and presumably also the show that is Westworld) have been raised in a way that makes the entire thing more interesting. He’s not wrong.
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ColliderApr 13, 2018
Season 2 Review:
Westworld is playing with a myriad of timelines again, with some mystery attached to them. But the personal reveals within them are far more satisfying, with particularly great work done by Peter Mullan as William/The Man in Black’s father-in-law James Delos, and from Wright as an ailing but crucially awakened Bernard.
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RogerEbert.comSep 30, 2016
Season 1 Review:
Westworld gets a little cluttered as the four episodes sent to press unfold. And it’s a really difficult program to judge without knowing where it’s going. In other words, this could be totally goofy nonsense by Thanksgiving. But what I’ve seen so far has stimulated me philosophically while also just being incredibly entertaining, well-made, well-performed television.
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Season 1 Review:
Where Westworld is at its best is in the deeper issues that will unspool slowly, like a good mystery. Early episodes are adept at getting at the base attractions of the park and why people would come, but also in setting up a sense of confusion about motives. ... The series benefits from a number of standout performances.
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Season 2 Review:
Blessedly for fans who don’t want to work so hard, less so for those wonks who do, the second season is much easier. It’s still brainy while managing to push the new narrative ahead hard and fast. It also manages to splatter the brains too: Westworld is now less a searing indictment of screen violence (the first season) and more a straight-up snuff series.
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IndieWireApr 13, 2018
Season 2 Review:
All around, the actors remain strong, including a number of new cast members. Where Season 2 stumbles is its structure and pacing. Episodes don’t carve equal time for everyone; they focus on the two most connected stories and sometimes break for an entire hour without getting back to a series regular.
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RogerEbert.comMar 16, 2020
Season 3 Review:
The visual storytelling is still top-notch and the acting exemplary, but it turns out that when you take “Westworld” out of Westworld you lose a little something along the way. For all its flaws, “Westworld” was one of a kind. It’s still compelling stuff, but that’s not so much the case anymore. ... Wright, Wood, and Newton all remain excellent, but the real heavy-hitters in these first four episodes are Thompson and Paul. ... Ultimately, this paring-down is probably a step in the right direction for this flawed, unrelentingly ambitious and undeniably compelling drama.
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Season 3 Review:
"Westworld" needed real humanity, unprogrammed and flawed, and Paul's performance is a saving grace in this respect. ... The stakes emerge with fair efficiency in these new episodes along with a few juicy questions about who the audience is supposed to root for and whether the threat of a robot uprising even matters anymore in a world already overpowered by artificial intelligence.
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Season 3 Review:
The first four episodes of its rebooted self are about making competent, well-structured TV. It’s hard not to miss a show whose flaws, emanating as they did from a passionate need to be understood and desire to understand, were so deeply human, and that have been so smoothly elided in favor of a gently humming piece of story machinery, something that’s that much closer to robot.
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Season 2 Review:
Westworld remains a hugely ambitious series, painted on a sweeping, star-studded canvas that continues to expand in the second season. Yet the first half of that run repeats the show's more impenetrable drawbacks -- playing three-dimensional chess, while spending too much time sadistically blowing away pawns. The result is a show that's easier to admire than consistently like.
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Season 2 Review:
Don’t expect too much improvement too fast from Westworld 2.0. It’s still overly focused on balletic blood baths and narrative fake-outs, and much of the dialogue still sounds as if it were written as a tagline for a subway poster, like Dolores’s “I have one last role to play: myself.” But Westworld remains a glorious production to look at, and there are stretches where it feels invigorated by its new, expanded world--freer to breathe, relax, invent.
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Season 2 Review:
The good news is, several glitches and structural issues have been corrected and modestly improved in Westworld 2.0. The operating system is smoother, but the drama’s most insistent claim — or aspiration — is that it has achieved full sentience, or at least a modicum of arresting originality.
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Season 1 Review:
Westworld is explicitly, and often wittily, an exploitation series about exploitation, full of naked bodies that are meant to make us think about nudity and violence that comments on violence. It’s the kind of trippy conceptual project that would be unbearable if it weren’t so elegantly made. So far, it works, mostly--not because it’s perfect but because it gets under your skin.
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Season 1 Review:
Westworld is a slow start, and a slightly frustrating one; after four episodes, it feels like it’s just begun to probe deeper into its own high concept. The sequences inside the control room are fascinating, but the dialogue is often circular, swerving away from simple exposition into loftier ethical discussions.
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Season 2 Review:
Yet while the series is evolving somewhat beyond the hermetic, enigmatic structure of its first season, it still veers too frequently into simplistic misanthropy. Throughout season two, the newly sentient robots are often as vicious and single-minded as their human captors once were.
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Season 1 Review:
Ed Harris, picking up where Yul Brynner left off in the film, cuts a menacing figure as the Man in Black, a killing machine determined to find a maze that may lead him out of the park. In between these golden nuggets are meandering scenes that take a long time to acclimate park visitors (Jimmi Simpson, Ben Barnes) to the repertoire of narratives on display.
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Season 4 Review:
One misses the way earlier iterations of the "Westworld" operating system kept us guessing. Now that we know how the show works, it's easy to bird-dog the secrets hiding in plain sight. ... Regardless of the slack in other plotlines, [Maeve and Caleb's] propulsive force is sufficient reason to stick around and see where this season is going.
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Season 4 Review:
Taken on their own, then, the first four episodes of “Westworld’s” fourth season are often fun, with spiky and interesting moments sprinkled amid other elements that feel like filler. As a serious fan of the show’s early going, I will settle for “often fun.” But it’s hard to imagine that “Westworld’s” two creators — writers who set out, thrillingly, to investigate what it means to be human and who now are losing us within the maze they keep complicating — can.
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Season 3 Review:
It’s the most frustratingly not-quite-there show on TV: structurally bold, visually arresting, often brilliantly acted, show-off-ily erudite (to the point of having three rich folks argue the accuracy of a Plutarch quote during a society gala), and woefully predisposed to turn subtext into text. But its sense of dread is so effective that it draws even skeptical viewers into its narrative mazes.
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The Daily BeastMar 11, 2020
Season 3 Review:
Season three is a blessedly streamlined one. Provided you can grasp the general gist of who’s alive, who’s a host, and who knows what is “real.” ... But this new, simpler Westworld is also no fun. ... All this said, there’s an unmistakable confidence this go-round, a steady hand at the helm that appeared all-but severed as season two neared its end.
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Season 3 Review:
These episodes definitely feel less frustrating when viewed through the “final season” lens — but if Nolan and Joy are sticking to their five-to-six-season “plan,” I hope they find a way to bring things back to the parks. [Kristen's Grade: B-]
I enjoy a few aspects of this new season, Kristen. After seeing four episodes of the (notably reduced) eight-episode season, though, my main feeling is I really enjoyed the show about cowboy robots in a theme park that apparently ended years ago. [Darren's Grade: C]
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Season 1 Review:
Hopkins and Wright are excellent, as is Ed Harris as a guest who’s grown so comfortable in his role-playing of the Gunslinger that he says he rarely leaves Westworld. Evan Rachel Wood and Thandie Newton--playing an innocent farm girl and a jaded brothel madam, respectively--do very well in the context of Westworld’s inherently problematic sexual element. ... But much of the necessary scene-setting--of happy guests arriving and discovering the joys of shooting and screwing to their hearts’ content--becomes repetitive quickly.
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The PlaylistJun 24, 2022
Season 4 Review:
If it all sounds like “Westworld” is still ridiculously narratively divided and convoluted, it undeniably is, and the show continues to have a frustrating habit of over-writing itself into ridiculously long passages of exposition. ... But it’s encouraging to see actors like Harris, Wright, and Paul have more fun than they were in the drag of a third season.
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IndieWireJun 24, 2022
Season 4 Review:
There’s still so much more room for “Westworld” to break its icy tension with clever levity, or just enjoy the bizarre nature of its wild reality. (This is still the show with replica robots and cloning, yet it never duplicates the fun of a “Mission: Impossible”-style mask reveal.) Instead, it’s resolved to do what its done before to the best of its abilities, like a piece of A.I. tasked with replicating the human experience, but tapping out after it learns “excitement” and “deception.”
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IndieWireMar 6, 2020
Season 3 Review:
Season 3 isn’t that fun — not yet. Though these first four episodes are much easier to track than Season 2 and remain flat-out gorgeous in their polished vision of a robot-led tech war, “Westworld” is a rather empty beauty. It shed all that Season 2 weight, and yet it could still stand to lose more. Episodes run far too long.
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Season 1 Review:
I’m therefore hesitant to write Westworld off as a dreary trot from start to finish; parts of it are as imaginative and intriguing as anything that’s been on TV recently, particularly in the sci-fi realm. It’s definitely not the cyborg “Deadwood” that some HBO fans were actively wishing for, nor does it roll out the welcome mat as a riveting, accessible adventure.
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Season 3 Review:
What we mainly get in the early episodes (four of the season’s eight were available) is a pretty straightforward version of Los Angeles corporate noir, with debts to “Blade Runner” and the films of Michael Mann. ... The returning cast, though, still offers the value that the show’s writing and plotting can’t consistently deliver. ... That they can’t always jolt the show to life, or overcome its tendency toward a critical mass of self-consciousness and ponderous seriousness, isn’t their fault.
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Season 3 Review:
The acting remains fantastic, as substantial storylines for Paul and Thompson (who finally gets the challenging material she deserves) complement the consistently sharp performances of Wood, Newton and Wright. Action scenes are as slick as ever. Sadly, though, all that polish effectively functions as a distraction from the aimlessness of what is starting to feel like a loose collection of characters, ideas and cool narrative tricks in search of a story.
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