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CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
19
Negative:
16
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Critic Reviews
Season 1 Review:
It's not as novel or successful a concept as "Curb Your Enthusiasm," the HBO series from "Seinfeld" co-creator Larry David. But based on the first two episodes, "Watching Ellie" is exponentially better, and more daring, than the derivative vehicles churned out by [Michael] Richards and [Jason] Alexander. [25 Feb 2002]
Season 1 Review:
I watched the pilot three times, thinking I'd get used to the timer. But each time, I found myself looking at the timer more than I did at Ellie. And, I'll tell you something: for the first half of the pilot, I liked the timer a lot more than her. And I'll tell you something else: the timer is only one of several things I hate about the pilot. [26 Feb 2002]
Season 2 Review:
Louis-Dreyfus has either decided, or been convinced, that the way to save Ellie is to barrel her way through every scene, mugging and pushing so forcefully that she makes Michael Richards look subtle. She's not just in constant motion; she seems to be in a state of constant rage. Even her singing, which was never the show's strong point, has become grating and strained. [15 Apr 2003]
Season 2 Review:
It's not so stylish or energetic anymore, and it's still not particularly funny. ... The problem isn't just rim-shot jokes, though. It's the whole conception of this comedy's situation, which is riddled with illogic and overstocked with annoying characters. [15 Apr 2003]
Season 2 Review:
Dracula returned without his soul. That's true of Watching Ellie, as well, if you accept that humor is the soul of a sitcom and that the show had any humor the first time around. It did. At least a little. This time, Watching Ellie wastes some serious comic talent, of which Louis-Dreyfus is just the most notable. [15 Apr 2003]
Season 2 Review:
What began as a demonstration of good actors adventurously struggling with a badly written script has been revamped into a demonstration of good actors desperately struggling with a badly written script, with a chortling studio audience thrown in for good measure. [14 Apr 2003]
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