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Positive:
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Mixed:
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Negative:
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Critic Reviews
Jan 15, 2016
Season 1 Review:
Davies’ dialogue feels so organic to the characters it’s written for that it seems almost to bond to them, as naturally as if it was their skin or hair color. Actors in Davies’ production invariably rise to the level of the words placed before them. They certainly do here.
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Jan 19, 2016
Season 1 Review:
This version of War & Peace may not have all of its parts intact, but it keeps the structure of the plot in place, giving a nice overview of Tolstoy’s novel, and keeping a tight pace for TV. It’ll be interesting to see whether the series can sustain throughout its six-part run, but the first few hours are an enjoyable way to pretend to digest great world literature.
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Jan 19, 2016
Season 1 Review:
It clips along in leaps and bounds, and the speed at which events occur can make them seem dramatically obvious, more declared than developed. Much of the time you don't feel the characters' pain so much as take it as read. But the key moments of spiritual revelation are handled well and the production gains power in the home stretch, just where you want power gained.
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Jan 19, 2016
Season 1 Review:
[Davies and director Tom Harper] reduce, expand, or toss out numerous plot lines and characters, all in the service of heavy-breathing romance and big-spectacle battle scenes in a kind of young-adult-novel depiction of Russian families caught up in 19th-century tumult.... Old pros such as Jim Broadbent, Stephen Rea, and Brian Cox are around to lend the soap opera proceedings some gravity.
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Jan 19, 2016
Season 1 Review:
It's a march through epic battles, epic romance and epic intellectual discovery, but viewers are probably going to have to take that old Tolstoy off the shelf ito fully understand what's so epic about it. Onscreen, it remains a fine, fast-moving yarn, but you don't have to have read the book to nod sagely and say, "The book is better."
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Jan 14, 2016
Season 1 Review:
At no time will the viewer feel that he or she has been transported to 1805 Russia, the drawing rooms of St. Petersburg, or the blood-soaked battlefields of the Napoleonic wars. That said, it’s not entirely a bad time. This is because directed Tom Harper and screenwriter Andrew Davies are far less interested in Tolstoy’s take on the individual’s place in the universe than they are in the who’s-sleeping-with-whom school of world literature and the more sentimental aspects of Tolstoy’s story. Neither are they much interested in subtlety.
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