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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
11
Negative:
0
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Critic Reviews
The GuardianMar 5, 2026
Mar 5, 2026
Season 1 Review:
It’s the superior of the two shows, in large part because of Weisz’s performance, which seduces the viewer with sensuality and humor, only to shock us with unhinged behavior. But what gives it the thematic resonance Rooster never reaches for is Jonas’ psychological insight into a place steeped in art and ideas that still gets bogged down in bureaucracy and appearances.
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Mar 5, 2026
Season 1 Review:
An antiheroine as sharply funny as she is willfully blinkered and as oddly compelling as she is repellent, she has a voice that defines Julia May Jonas’ adaptation of her own novel — elevating it into something knottier than the feminist cancel-culture treatise might appear at first glance, and all the more insightful for it.
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The TelegraphMar 5, 2026
Season 1 Review:
The style of the series takes a bit of getting used to – it’s fourth-wall breaking, with Weisz addressing the camera throughout and speaking in sometimes quite stilted, stagey language. But before long you fall into the rhythm of it. Think of it as Fleabag for 50-somethings.
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The TimesMar 5, 2026
What's Alan Watching?May 4, 2026
RogerEbert.comMar 5, 2026
Mar 5, 2026
Season 1 Review:
It comes as a surprising disappointment that the adaptation, a newly released eight-episode miniseries created by the book’s author and starring Rachel Weisz as the narrator (here given the initial “M.”), Leo Woodall (The White Lotus) as the eponymous Vladimir, and John Slattery (Mad Men) as the narrator’s husband John, is a pretty husk of the novel.
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