Watch Now
Where To Watch
| Stream On |
|
| Buy on |
|
| Stream On |
|
Critic Reviews
- Critic score
- Publication
- By date
-
Unfortunately, [Sutherland's] disciplined performance is done in by an undisciplined show that moves too slowly to put limits on Jake's powers.
-
In some parts, Touch is pleasantly moving and even tightly woven, until it becomes too blunt in its purposeful yanking of heartstrings.
-
The one great redemptive asset--and it's significant--is Kiefer Sutherland. [26 Mar 2012, p.41]
-
What's on the screen is a likable but dumb TV version of what the film scholar David Bordwell calls a "network narrative."
-
Viewers should try to connect with Touch. There's something intriguing about it.
-
For all its numbers wizardry, the overmanipulative Touch doesn't yet add up.
-
So far, its mix of spirituality and science, familial and global struggles, is galvanizing.
-
It still remains to be seen what it looks like as a series; with some stronger writing and deeper character work, it could build on its math-superpower idea to make something intriguing and emotional.
-
[Touch is] emotionally compelling but wildly fantastical and undeniably manipulative.
-
Touch needs more work grounding its reality before any of these fantasies take flight.
-
Overall, the first episode delivers a suspenseful ride around the world, peppered with some tear-jerking moments.
-
The 11-year-old boy at the center of the story has never spoken and is also the show's narrator. It's a perfectly acceptable device, if not a particularly interesting one in this case.
-
There is a sense of adventure and uplift in Touch that is rare in current procedurals. It might just be enough to connect it to an audience thirsty to see Sutherland save the world in quieter, smaller increments--and with the occasional smile.
-
We'll see if audiences can tolerate the notion of profound interrelatedness as weekly entertainment.
-
It's an interesting, emotionally manipulative but still effective hour of television.
-
Ironically, given a show that so clearly wants to touch its audience--from that weighty one-word title on down--we have met, apart from Martin, hardly a single character who incorporates more than the hint of an actual person.
-
Yes, the show is intriguing, and it's great to have Sutherland back on TV. But frankly, it's awfully complicated.
-
A bit melodramatic, a bit manipulative, Touch is still one of the best pilots of the 2011-12 season to date.
-
The pilot for Touch is actually rather intriguing and well-executed. My problem with the show is projecting how well it will play a couple of months into its run.
-
Touch feels like yet another series--last week it was Alcatraz--that seemed like a better idea for a one-shot movie than a weekly TV series.
-
It's all very new-agey and a bit pretentious.
-
It's not clear from one episode whether the show's warm and fuzzy message can successfully counterbalance implausibility.
-
Nothing about these connections feels particularly earned and many of the twists and turns of the pilot feel contrived and obvious, especially toward the end.
-
Its spirit is willing, but the construction has foundation problems.
-
Touch has its "We Are the World" heart in the right place. But like another song says, we don't need another "Heroes."
-
It's Mr. Sutherland's portrayal of the father--unyielding in his effort to break through to his mute child and grasp what he's trying to say with his numbers--that is the heart of this story, the power likely to sustain this promising enterprise.
-
There's heavy-handed imagery, and the show will rise or fall depending on the different weekly encounters with Jake. [27 Jan 2012, p.68]
Awards & Rankings
User score distribution:
-
Positive: 61 out of 98
-
Mixed: 23 out of 98
-
Negative: 14 out of 98
-
Apr 6, 2012
-
Mar 25, 2012
-
May 3, 2012