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CRITIC SCORE DISTRIBUTION | ||
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Positive:
114
Mixed:
8
Negative:
3
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Critic Reviews
TV Guide MagazineFeb 27, 2025
Season 3 Review:
The resort welcomes another memorably stellar ensemble. [3 - 23 Mar 2025, p.4]
Season 3 Review:
The show’s narrow scope means it ends up recycling the same tropes of seasons past. The hotel guests aren’t people so much as stock characters with one or two defining traits. .... There’s an aimlessness that can come to define the vacation experience. That’s also true of the stories to which White is drawn, resulting in uneven performances.
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Season 3 Review:
Although Belinda is ostensibly there to learn, she comes in as much a blank slate as the paying guests, with little more to offer her Thai co-workers than a stiff khàawp khun. White isn’t much more generous, or more interested. The White Lotus began as an Upstairs Downstairs parable of economic exploitation, with a little postcolonial critique, as a treat. But the third season’s native characters are barely an afterthought.
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Season 3 Review:
A first episode of The White Lotus is clearly all table-setting. And that’s very much the case here, with every scene slowly unfolding as a way to tell us more about these varied guests—and those hotel employees who’ll be there to serve them. .... But it’s clear that Goggins’ Rick may be the one to watch. He’s clearly on a mission, even if Chelsea has no idea why they are in Thailand at all.
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Season 3 Review:
There is less — really no — explicit comedy this time out, no replacement for Jennifer Coolidge’s needy heiress from Seasons 1 and 2. (As if you could replace Jennifer Coolidge.) Yet something in the direction, something like affection for these bumbling adults and young adults, lightens the tone.
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Season 3 Review:
Although she [Jennifer Coolidge] lit up two seasons of the quirky Mike White drama, she has a kindred spirit in Parker Posey, who takes the third season to her own offbeat heights. .... “The White Lotus,” season three, is a bit more lush than the previous two and stuffed with phrases you’ll be hearing for months to come.
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Season 3 Review:
I don’t know that I wanted a healthier, kinder, more virtuous “White Lotus.” The new season is slow. It’s not nearly as sharp at picking apart contrarian impulses among wealthy tourists — or at articulating the malaise of the present moment. But it has moments of leisurely, contemplative beauty that remind me a great deal of “Enlightenment,” White’s earlier series for HBO.
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Season 3 Review:
OK, the Thailand-set season 3 takes longer to ignite, but brilliant series creator Mike White and a new cast of entitled one-percenters, led by Parker Posey, Carrie Coon and an Oscar-winning mystery guest, deliver a ferociously funny social satire that defines TV at its peak.
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The Mercury NewsFeb 13, 2025
Season 3 Review:
I gobbled down six of the eight episodes available for review, and will say – without even the slightest reservations – that “Lotus” regulars should check in for this third season. You won’t be disappointed. Just be prepared to get your jaw dropped and your raised eyebrows torched right off.
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Season 3 Review:
It’s comfort food masquerading as social critique. Even as White meanders in familiar territory, this Thailand chapter never exactly becomes an unfunny or poorly acted stretch of television. While I haven’t seen the final two episodes, the latter half of the season does start to maneuver the characters toward some audacious, inspired mayhem. But it’s tough to come away from these episodes without feeling that White really ought to hire some additional writers.
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RogerEbert.comFeb 11, 2025
Season 3 Review:
White takes full advantage of his setting in a manner that brings it to life in ways that even the last two gorgeous settings didn’t produce. The way he constructs his episodes, not just narratively but visually, is arguably without peer on TV right now. He somehow finds a way to capture the opulence and beauty of Thailand while never losing the realism of the stories he’s telling there.
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Season 3 Review:
White is simply too gifted a dramatist, and too acute an observer of human foibles, for these concerns to feel forced. They do, however, take a long time to set up, especially as the ensemble expands in size. Season 3 is the least immediately gripping entry. .... But when the story coalesces and kicks into gear somewhere around its halfway point, it’s as wild and unpredictable as any of the powder kegs White has combusted.
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Season 3 Review:
The beats of the season are rote, the characters verge on cringe-worthy cliche, and The White Lotus seems to be lazily conforming to a formula that’s already inspired countless pale imitations since its 2021 series launch. .... The biggest thing the The White Lotus Season 3 has going for it, though, is its phenomenal cast. The actors that Mike White has assembled give each character a pathos that maybe wasn’t originally there on the page. .... Ultimately, The White Lotus Season 3 is still the best at what the show sets out to do.
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Season 3 Review:
I can reassure viewers who find the start of the season slow that things pick up dramatically, especially in the fifth or sixth episodes, which have events perched precariously on the verge of disaster. Will that inevitable disaster take a form that doesn’t feel, at least somewhat, like a reboot of previous White Lotus installments? I can’t say for sure, but if you accept that the joy is in the interpretation, it’s enough to watch the new group revel in the toxic treats that Mike White so readily supplies.
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Season 3 Review:
Campy, naughty, a little shocking, and a little old hat, The White Lotus’s third season has its flaws and its hang-ups, without question. They hint at depth, at complicated things to say about wealth and cultural experience as a consumer product, and how to find meaning. If season three ends at all like the previous seasons did, the show may not figure out how to do more than hint. But as with its first two seasons, The White Lotus succeeds at being fun TV first and foremost.
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Season 3 Review:
The end result is still extremely entertaining, thanks to White again assembling a top-notch cast that includes Walton Goggins, Parker Posey, and Carrie Coon, among many others, and thanks to White’s knack for finding creative ways to depict the oblivious entitlement of the hotel’s obscenely wealthy guests. But there’s a clear formula by this point that takes away the thrill of discovery the series had when it debuted back in 2021.
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The PlaylistFeb 11, 2025
Season 3 Review:
White pulls off a masterclass with these women as they forge alliances behind each other’s backs, only to increasingly betray each other over the silliest of social interactions. You know these women. You and your friends may be these women. It’s a spot-on microscope of adult friendships that this season may end up being remembered for the most.
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Radio TimesFeb 11, 2025
Season 3 Review:
“The White Lotus” is one of those series that requires a deep breath, or perhaps a shudder, after each dose. That it also manages to be laugh-out-loud funny is a testament to White’s mastery of tone. There’s an element of schadenfreude that comes with watching the show. But that wanes once you look in the mirror and think about how human the characters are. It’s hard to spotlight individual performances in such a mighty ensemble.
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Season 3 Review:
The season largely leaves the thoughts of these characters about their work and the people it serves unexplored. That disconnect is, perhaps, the point—a statement about the chasms that separate the classes, about the alienation of labor in what amounts to a micro-colony of the extremely affluent—but it leads the proceedings to feel incohesive. Instead, season three works best as a mood piece.
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The GuardianFeb 11, 2025
Season 3 Review:
On the evidence of the first few episodes, it seems that the third series may have moved even further from the original’s MO. But the precision of the storytelling and the realisation of every character, from the most central to the most peripheral, remains masterly. Exquisitely shot, scripted, paced and performed, it’s a sumptuous feast for all the senses.
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Season 3 Review:
The White Lotus season 3 has all of the elements we’ve come to know and love from Mike White’s satirical anthology – a great cast, an exotic locale, and messy interpersonal drama – but there’s some serious spice missing from the recipe. .... There’s a disappointing amount of wheel-spinning for the guests and the staff alike, which makes me wonder if the series is creatively tapped out – or maybe its ugly-American motif has just lost its bite.
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The IndependentFeb 11, 2025
Season 3 Review:
What it shows is that The White Lotus is a franchise now so totally in command of its own appeal that it can be transferred anywhere. Compared to other contemporary anthology shows (like True Detective or Fargo), it feels more in control of its tone, more consistent in its approach.
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Season 3 Review:
There are plenty of solid characters, thanks to standout performances from Wood, Coon, and especially Rothwell, who brings a lovely empathetic grace to the screen. And critics have yet to see the final two episodes of the season, which might do a lot to wrap things up cohesively. As it stands, Season 3 isn’t quite the success of seasons past. But there are worse vacations out there.
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Season 2 Review:
The second season initially feels like a mere echo of the first. ... But the first five episodes suggest that White has undergone his own unclenching. The airless sociological fatalism of Season 1, which was matched by a claustrophobic production due to covid-19 restrictions, gives way to a more mature drama, as well as a deeper exploration of how the characters’ class concerns converge with gendered angst.
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The TimesNov 2, 2022
Season 2 Review:
In a nutshell this series is funny, but not as funny as the last one. But series one took its time to take off too. And, having watched ahead only five episodes; I don't know the denouement be assured that Mike White builds the tension exquisitely and there is much toxicity to gorge upon. ... I love Tanya. She embodies the show's essence: that being filthy rich doesn't make you happy. Indeed, it can make you wretchedly miserable. Enjoy the schadenfreude.
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Radio TimesOct 31, 2022
Season 2 Review:
The result is a portrait that feels like half–Tennessee Williams play, half–Men are from Mars, Women Are From Venus. The cast, in particular Aubrey Plaza and F. Murray Abraham, elevates the material’s gender-based clichés (women are shrews, men cads) with performances that are precisely bemused or aggrieved. ... But without a greater guiding thesis about why marriage reaffirms gender roles for people who otherwise consider themselves progressive, or a secondary plot focus to round out this vacillating heterosexual frivolity and panic, The White Lotus feels defanged.
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Season 2 Review:
Prepare to be wowed. Mike White returns for a second season of his Emmy-winning series and tops himself by digging deeper into this stinging satire of white privilege., this time in Sicily. A top cast (hello again Jennifer Coolidge!) delivers TV at its seductive, sneakily unnerving best.
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Season 2 Review:
For some viewers, this all might feel like a slight rehash, idiosyncratic as it might be. But though these new episodes (of which five were made available to critics) meander at times, Season 2 is more tightly plotted and there are enough new ideas, with even the most staid insights heightened by White’s razor-sharp writing, for it to feel fresh.
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Season 2 Review:
For all the goings on, the first five episodes don’t exactly build up a narrative head of steam. It’s hard to tell where any of these stories are heading, or if they’re heading anywhere. That’s not a criticism, exactly; it’s easy enough to hang out here, with the actors and the scenery, and the series is not without a subtle sort of movement.
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Season 2 Review:
While much transpires, we still have little clue as to which character(s) will be killed, and who will be doing the killing. It’s a tribute to the depth of the writing and the excellent work by the ensemble that whoever winds up floating in the sea, I’m gonna feel bad for them but I’ll also probably understand why someone wanted them gone.
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Season 2 Review:
The White Lotus hasn’t lost any of its intoxicating allure, shifting its mix of rich-people problems and staff struggles to a new island (Sicily), with Jennifer Coolidge as the one holdover from the Emmy-winning original. It’s an impressive exercise in reloading by writer-director Mike White, who based on this encore should have plenty of frequent-flyer miles in his future if he chooses.
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Season 2 Review:
Nobody has a real conversation; they say things at each other as if lobbing verbal tennis balls over a net, which is maybe why it all sounds so trite. Even as it skewers these people, the show is too in love with the idea of being rich to really consider the rot at its core.
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Season 2 Review:
As easily digested as gelato, this season has action that hinges on those two young women (Beatrice Granno and Simona Tabasco) making visitors feel welcome. That means the stakes are high and the room service bills even higher. Coolidge continues her winning ways (Emmy No. 2? It’s possible) and DiMarco has just enough innocence to make you wonder what his future will be. “The White Lotus” still ranks among television’s best.
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Season 2 Review:
Even if the plotting is less urgent and the comedy, when it flares up (not often enough), is less biting, “White Lotus” remains consistently watchable for White’s finely-drawn characters, whether it’s Daphne’s sunny disposition that masks uncomfortable truths or Dominic’s justification/excuse for his cheating ways.
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Season 2 Review:
Like most things in season two, Coolidge is not as revelatory here as she was in the show’s first season, even while she is excellent. Once it changed from a one-off into an anthology series, “The White Lotus” became a formula — this season also opens with a mystery, as a number of bodies are found — and as such it is a tad more predictable. But that didn’t get in the way of my enjoyment, watching this collection of high-end guests, played by an able cast, squirm and skirmish while sitting in the lap of luxury.
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The PlaylistOct 25, 2022
Season 2 Review:
Nothing remotely insightful has been said about the rich other than they’re terrible to the planet and to each other. At this point, it seems the show is mostly just interested in reveling in the spoils of the rich (there’s a particularly gorgeous villa featured in one episode) and that’s it.
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Season 2 Review:
The Sicily season is a bit thinner, focused mostly on sex and the grittier aspects of romance, with only some slight, and occasionally perfunctory, nods toward the grander sociopolitical storm of the present day. At least, that’s true of the first two episodes. As it moves past those beginnings, the season adds layers of tension and meaning, potentially setting us up for a wallop of a finale that says some pretty grave things about the haves and the have nots, about men and women, about money and its influence. One just has to be patient, I suppose.
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Season 2 Review:
The White Lotus Season Two is definitely not boring. Once again, it boasts a great cast — Emmy-winning returnee Jennifer Coolidge is joined by the likes of Aubrey Plaza, Michael Imperioli, and F. Murray Abraham, among others — gorgeous scenery, and the acidic wit of writer-director Mike White. But there are times when it’s hard to disagree with Portia’s larger concern that this has all been done before, and better, the first time around.
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Season 2 Review:
Last year's six episodes were near flawless television, and returning ran the risk of losing the expectations game. But the new seven-episode season is comparable, and most importantly keeps the tone alive. If more sophomore seasons could learn from the "Lotus" example, television would be better for it.
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Season 2 Review:
Between the acting, Alex Bovaird’s costuming and White’s usual written standards — as seen on this series, “Enlightened” and beyond — each “White Lotus” character is immediately distinct from the next. Spending time with them is never boring, which is maybe why the season takes its time setting up the players, indulging White’s gift for dialogue to the point that the first few episodes (each a solid hour long) lose some of their urgency. ... “The White Lotus” remains one of TV’s most purely visceral, evocative shows as it digs each of its guests up by their roots.
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Season 2 Review:
The guests are a lot more palatable as characters this season, with White having a very effective understanding of how to withhold their backstories in order to draw in the viewer’s interest. ... Half the fun of the early episodes is coming to understand who these people are and why they’ve come to this place together, and once those relationships are established, the season moves like lightning towards whatever trainwreck the finale promises.
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Season 2 Review:
While The White Lotus Season 2 is certainly gorgeous to look at, it falls a bit short once again as any sort of legitimate social commentary. It’s obvious that these people are generally awful: spoiled, self-involved, and lacking the sort of basic self-awareness we often see in so many (generally American) travelers abroad. But beyond that, is there anything worth really saying about them, or the journey they’re on?
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The TelegraphOct 24, 2022
Season 2 Review:
The White Lotus isn’t quite as insightful as it thinks it is and suffers from all the characters being different flavours of unlikeable (see also: House of the Dragon). But there is the implicit promise throughout that this ghastly gallery of vacationers will receive their comeuppance. Paired with the dramatic Sicilian landscape, that cocktail of sunshine and delayed schadenfreude goes down irresistibly.
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Season 2 Review:
There are so many elements about this season that make it better than the majority of shows on TV right now — not limited to the writing and the acting, but the sweeping cinematography and pitch-perfect soundtrack as well (the new theme song might actually be better than the original) — but when you know how good The White Lotus can be, why would you want to accept anything less?
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IndieWireOct 24, 2022
The TimesAug 18, 2021
Season 1 Review:
If you watched episode one of The White Lotus and thought, "Yes, quite good, but I'm not feeling the five-star ravings I've heard about it," then I say this: keep the faith and rest assured that it gets stonkingly good very soon. I have watched all six and, trust me, you're in for a treat.
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Season 1 Review:
Welcome to “Upstairs, Downstairs,” Aloha State edition. The series, called “The White Lotus,” named for the fictional resort where the action takes place, is a near-note-perfect tragicomedy. ... The actors are excellent across the board, but Bartlett, whose practiced amiability turns progressively feral throughout the series, is a revelation.
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ColliderJul 13, 2021
Season 1 Review:
Where The White Lotus ends up is, in some ways, the slyest joke of all. The Love Boat with class tensions, a smart summer soap, is fundamentally fatalist—and less riotously, a bit didactic. Still I wonder if The White Lotus’ indictment of class and race privilege doesn’t lose a bit of its bite from the company it keeps.
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Season 1 Review:
"The White Lotus" is a destination event, a safe, controlled daytrip into disquiet. Some will love the airy cringe that White purveys here, which intensifies as this series goes deeper into its run. Even if the agita gets to be too much to handle, you can still take relief knowing that like all good vacations, it comes to an end exactly how it should, and when it should.
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