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It’s still strong (dark, funny, lyrical), evolving into a riotous, bloodthirsty saga of identity, Fargo-esque characterisation and relentless stings and twists to the bittersweet end. Figuratively and geographically, you’re left wondering where The Tourist could go next.
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We’re not sure if throwing Ethan back into the mix, even if he somehow gets tangled up with the people chasing after Elliot, is the best idea, either. But there’s more than enough good stuff going on in Season 2 to override those concerns, at least for right now.
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Thanks to atmospheric and unsettling sequences, The Tourist is every bit a neo-Western that sprinkles in the manic traits of the Coen Brothers, David Lynch, and Quentin Tarantino films. It might sample some of these filmmakers’ best works, but it’s a series all its own due in part to its enigmatic plots and characters.