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The Sister carries itself with an air of deliberate, somber gravity which implies that it’s unaware it’s treading banal genre territory; every one of its elements has been seen before, and in more surprising and novel form. Ensuing revelations about Bob are equally hackneyed and preposterous, and in its closing segments, the show derives drama from illogical motivations that further make one want to see each and every character get their just desserts.
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We trust Neil Cross knows how to tease out the truth of the story without annoying viewers. But the first episode just doesn’t give us a whole lot of confidence that we won’t get more annoyed the more the truth is teased out.
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As the catalyst of drama, Bob is a clever invention, and a frightening one. And he helps carry “The Sister” — an imperfect but pleasantly unnerving piece of work — over the line into worthwhile.