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CRITIC SCORE DISTRIBUTION | ||
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Positive:
9
Mixed:
9
Negative:
2
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Critic Reviews
EmpireOct 21, 2022
Season 1 Review:
A jargon-heavy sci-fi with not one but two future worlds to digest isn’t going to be to everyone’s tastes, and the occasionally lurid violence (episode one features a scene of ocular trauma that’s not for the faint-hearted) might further give pause. ... Still, despite its Cassandra-like tendencies, The Peripheral is a compelling enough window into another reality that utilises its central premise well.
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Season 1 Review:
There are big ideas under the surface that The Peripheral can’t explore because of a greater investment in twisty plot, garbled jargon and complicated world-building. Still, there’s something to be said for a version of Westworld that is simpler and therefore less ambitious and less reliably frustrating.
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Season 1 Review:
Bright spots in “The Peripheral” include excellent performances by Moretz and Eli Goree as Conner Penske. ... Unfortunately, these strengths, much like “Westworld’s,” are too often lost in a commitment to mysteries that crowds out coherence, mistaking the challenge of deciphering what’s happening for the joys of solving the puzzle of why.
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Season 1 Review:
“The Peripheral” feels like a mashup of sci-fi ideas put to better use elsewhere, from “Avatar” to “Free Guy,” with a lot in between. Mostly, other than the sometimes-striking set design, there’s nothing particularly distinctive about the villains or the scenario, which feels more convoluted than engaging.
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Season 1 Review:
The series, based on a novel by cyberpunk pioneer William Gibson, boasts competently directed action that rubs up uneasily against deeply indulgent running times; no matter how good the chase scenes, we need a break as individual installments plod past the hour mark. This insistence on keeping audiences on the hook doesn’t consistently grant insight; despite how much time we spend with her, and despite Moretz’s best efforts, Flynne is little more than an archetype.
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