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CRITIC SCORE DISTRIBUTION | ||
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Positive:
9
Mixed:
9
Negative:
2
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Critic Reviews
The GuardianOct 20, 2022
Season 1 Review:
Suffice to say that it is a bravura rendition of Gibson’s tale, told with confidence by people I suspect will keep the plotting tight and the internal logic – whatever that may be – consistent. Those who can follow it at the deeper levels will no doubt find it immensely satisfying. The rest of us can enjoy the ride, and the distraction from the decidedly untightly plotted present.
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EmpireOct 21, 2022
Season 1 Review:
A jargon-heavy sci-fi with not one but two future worlds to digest isn’t going to be to everyone’s tastes, and the occasionally lurid violence (episode one features a scene of ocular trauma that’s not for the faint-hearted) might further give pause. ... Still, despite its Cassandra-like tendencies, The Peripheral is a compelling enough window into another reality that utilises its central premise well.
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Season 1 Review:
There are big ideas under the surface that The Peripheral can’t explore because of a greater investment in twisty plot, garbled jargon and complicated world-building. Still, there’s something to be said for a version of Westworld that is simpler and therefore less ambitious and less reliably frustrating.
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Season 1 Review:
Bright spots in “The Peripheral” include excellent performances by Moretz and Eli Goree as Conner Penske. ... Unfortunately, these strengths, much like “Westworld’s,” are too often lost in a commitment to mysteries that crowds out coherence, mistaking the challenge of deciphering what’s happening for the joys of solving the puzzle of why.
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Season 1 Review:
“The Peripheral” feels like a mashup of sci-fi ideas put to better use elsewhere, from “Avatar” to “Free Guy,” with a lot in between. Mostly, other than the sometimes-striking set design, there’s nothing particularly distinctive about the villains or the scenario, which feels more convoluted than engaging.
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Season 1 Review:
The series, based on a novel by cyberpunk pioneer William Gibson, boasts competently directed action that rubs up uneasily against deeply indulgent running times; no matter how good the chase scenes, we need a break as individual installments plod past the hour mark. This insistence on keeping audiences on the hook doesn’t consistently grant insight; despite how much time we spend with her, and despite Moretz’s best efforts, Flynne is little more than an archetype.
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The PlaylistOct 20, 2022
Season 1 Review:
Six hours in, the stakes and worlds of “The Peripheral” have barely been defined more than they were during the premiere because this is a program that only the people who wrote it could love. Showrunner Scott B. Smith, Jonathan Nolan and Lisa Joy exploded the world of Gibson’s novel but never bothered to put the pieces back together into something interesting.
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