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CRITIC SCORE DISTRIBUTION | ||
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Positive:
35
Mixed:
25
Negative:
7
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Critic Reviews
Season 2 Review:
The bottom line on Season 2 of The Newsroom is that it's unlikely to sway viewers one way or another. Devotees will continue to embrace it, and the haters will continue to hate.... As for this critic, let's just say that I'd rather watch an energetic, well-acted, provocative show that aims high and sometimes falls short, than one that doesn't aim high at all.
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Season 2 Review:
Yes, there's the same theatrical, slightly on-the-nose symbolic imagery, the recurrence of familiar narrative structures like legal depositions, and the grandiloquent speechifying of a comfortably centrist liberalism that sounds more progressive than it acts. Yet for those attuned to the Sorkin style, those excesses have their own kind of virtue, and season two of The Newsroom salvages the promise of becoming something urgent and vital.
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TV Guide MagazineNov 12, 2014
Season 3 Review:
The Newsroom returns for a truncated six-episode final season, it appears that less may be more--as in, more absorbing and more entertaining, with less irritation from slapstick rom-com subplots that tend to make smart people (especially the women) look insultingly stupid.
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Season 2 Review:
I wouldn't say season two of The Newsroom is a big improvement over season one, but the show's definitely more measured and confident--and now that we've accepted that certain tics, such as setting the stories in a recent, real past, aren't going away, it's easier to appreciate what Sorkin and company do well.
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Season 2 Review:
There are new faces this season, and two of the better additions aren’t even journalists. Most important, the narrative this time around is driven by an overarching story line--a libel suit--that pulls viewers past the rocks and eddies of liberal piety. This revamped version of The Newsroom is no less preachy, but it’s a lot more fun to watch.
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Season 3 Review:
By this third season, The Newsroom is a show that's smoothed itself out, for good and for bad. The lows aren't nearly as low--Maggie, long the show's worst example of Sorkin's difficulties in writing for women, is so competent and confident this year that guys like Jim (John Gallagher Jr.) and Don (Thomas Sadoski) feel like doofuses around her--but nor are the highs especially high.
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Season 3 Review:
The Newsroom has never been entirely sure about its intentions, failing to carve out a unique identity. While a certain haphazard uncertainty may be a fitting quality for a series about our own fractured political and media landscape, and where the actions of good people are paralyzed by the need for content production, Sorkin's own sputtering pen suggests that such imprecision was not his aim.
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Season 3 Review:
The show was never entirely believable and the conceit of having episodes set during actual events--where the characters and/or viewer perceptions benefit from hindsight--felt like a cheat even though it could sometimes also be thought-provoking. The third-season premiere doesn’t shy away from this.
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RogerEbert.comNov 5, 2014
Season 2 Review:
If you didn't like Sorkin's politics before, I doubt you'll be any happier with them this season.... Technology continues to be a bugbear for Sorkin (maybe that's why he was so prescient last season about the NSA stuff?), but stupidity in general seems more evenly distributed this season.
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Season 1 Review:
The West Wing gave us rich characters, a sense of proportionality and an infectious feeling of romance with the country and the people who want to make it better. The Newsroom, after four exhausting, smug episodes, gives us none of that: just Aaron Sorkin writing one argument after another for himself to win.
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Season 1 Review:
Monstrously misconceived and incompetently executed, powered by a high-octane blend of arrogance and contempt, The Newsroom is an epochal failure, a program destined for television's all-time What Were They Thinking? list. Not since NASA's first Vanguard rocket blew up on its launch pad in 1957 will Americans have seen anything crash and burn on television with such hellish spectacularity.
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