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CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
6
Negative:
1
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Critic Reviews
The GuardianFeb 4, 2020
Season 1 Review:
The L Word has always been a little bit naff, but in this new iteration, that naffness feels like a matter of pride. ... There is a great relief in sitting back and watching something that is unabashedly entertaining, that plays to the crowd exactly as it knows how to. It is all a lot of fun, from the boo-hiss villains to the spot-the-reference nods to the past.
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Season 1 Review:
The show’s world is more inclusive now, but in ways that can feel more about art direction (add some people of color!) than about a dramatically different worldview. Nonetheless, the first three episodes of Generation Q are enjoyable and set several promising arcs in motion, and by promising I mostly mean, “There’s definitely going to be some drama coming up.” Generation Q’s main first impression, though, is that it feels like fun, soapy, twisty, regular TV.
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Season 1 Review:
Happily, the new showrunner, Marja-Lewis Ryan, is sticking with the common-sense-defying soap opera antics that made the original series a love-hate phenomenon that fans derided while obsessing over it. ... Based on the three episodes made available in advance to journalists, “Generation Q” both follows in the first series’s footsteps and expands its scope.
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Season 1 Review:
A glossy, bighearted show that’s less soapy than the original series but delivers enough secrets, sex, and secret sex to keep the stakes high. ... Because there’s no central hangout (RIP The Planet) and the two groups of peers mostly overlap in the workplace, Generation Q lacks the intimacy of The L Word, which owed much of its magic to intraclique chemistry and conflict. The new series feels like a collection of individual stories about generally likable people.
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The PlaylistAug 9, 2021
Season 2 Review:
Season 2 sticks to its usual formula. That’s not a terrible thing: This show’s cultural significance cannot be understated, and it offers comfort food to an entire underrepresented community. But it’s not a net positive, either, as these characters continue to spin their wheels, offering plenty in the way of histrionics with consistently scant development.
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Season 1 Review:
The updated “L Word,” it seems, is less concerned with being radical than it is with being inoffensive. “Generation Q” is not without its pleasures—the story lines, in keeping with tradition, are nice and preposterous, and there’s a nostalgic comfort in watching long-dormant characters misbehave again.
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Season 1 Review:
New showrunner Marja-Lewis Ryan (The Four-Faced Liar) struggles to balance such a big cast; Micah and Sophie don’t quite come into focus in the three episodes sent for review. What’s more worrisome in the long run is that, despite their proximity, these two cohorts can feel like they’re in parallel shows. ... The result is a more serious drama shoehorned into an aspirational soap.
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Season 1 Review:
None of these women feel real, down-to-Earth or approachable. On the contrary, the “Generation Q” crew seems mostly there to give the O.G.s an excuse to set up shop again. Much of the time “The L Word: Generation Q” feels like two glee-deficient series slapped into the same pair of pants, but sadly, left me with little desire to revisit “The L Word” or invite “Generation Q” over for a hang.
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