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Martin is good enough company to carry his part of the bargain, but only those really hungry for another variation on “The Mentalist” or “Castle,” “Psych” or “Numb3rs” – or maybe just something to watch after “The Voice” – will find much to latch onto here.
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The Irrational works mainly because of Martin and the backstory he has with Hill’s character and the bombing case. The mysteries themselves are pretty bad, but that will matter less if the continuing story is good.
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The show’s vibe is easy and familiar, and in its own way comforting — in the three episodes sent to critics, justice comes as reliably as the turning of the hour. Yet despite a likable lead turn by Martin, it’s difficult not to notice how un-special this story of a supposedly special detective feels.