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Intricate story beats are heightened by The Glory’s gorgeous cinematography, which underlines the differences between wealthy and working-class worlds, balancing the luxurious exteriors around Dong-Eun’s rich targets with bleak everyday urban settings. It’s can’t-miss-a-second plotting (a worthy continuation of the series that doubles down on its twists) with can’t-look-away framing.
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While The Glory isn’t quite as dark as we anticipated it to be, there’s still a lot of moments when Dong-eun’s revenge plan is at the forefront of the action, which is where the show is at its best.