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CRITIC SCORE DISTRIBUTION | ||
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Positive:
16
Mixed:
8
Negative:
0
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Critic Reviews
Season 1 Review:
This extremely promising series combines the
human drama of the David Janssen TV show with the stuntwork of the
1992 Harrison Ford movie. And while neither lead has the Hollywood
aura of Ford or Tommy Lee Jones, Williamson and Daly are well-matched
as the cat and mouse. [6 Oct 2000, p.E1]
Season 1 Review:
I have no major complaint with this Fugitive as an act of filmmaking imitation. I just wish they had tried to emulate the spirit of the original and re-imagine this "Fugitive" in a way that made it connect as vitally with America today as the original connected with America in 1963. [6 Oct 2000, p.1E]
Season 1 Review:
In serialized form, The Fugitive is nothing more than "Touched by an Angel on the Lam." Kimble moves from town to town, staying a step ahead of Lt. Gerard, a step behind the one-armed man, and inevitably involved in the life of someone he meets on his peripatetic way. [5 Oct 2000, p.E2]
Season 1 Review:
Perhaps The Fugitive will slow its frenetic pace in future episodes. The original show had its share of narrow escapes but didn't rely on heavy-duty action every week. They instead focused on Kimble's close encounters with strangers, some kind, others sinister. [6 Oct 2000, p.1C]
Season 1 Review:
It's a very enjoyable hour and it's easy to get caught up in the action and the scenery and forget what we all know from the movie and the first series. But it's a tossup whether the manhunt will bring us back week after week. This time around, Kimble's chase could be much shorter. [6 Oct 2000, p.1E]
Season 1 Review:
It was all cool years ago, but today it seems just a bit too contrived, even if it does mean lots of work for Hollywood stuntmen. TV has never had a successful remake of an old show, and there's no reason to believe The Fugitive, which debuts Friday at 8 p.m., will escape that bleak statistic. [6 Oct 2000]
Season 1 Review:
TV fave Daly is more personally accessible than Janssen and Harrison Ford. And his show is beautifully produced. But we've seen it all before. CBS must figure this old-style genre-single- lead hero, chase drama, closed-end action-is primed for a comeback, though it's hard to imagine younger viewers sitting still for this Diagnosis Pursuit. [6 Oct 2000, p.B51]
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