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“The D’Amelio Show” doesn’t scratch the same itch that “Keeping Up with the Kardashians” did, largely because it is much more sanitary and restrained, and therefore less gripping. ... What the show does manage, perhaps surprisingly, is to serve as a pretty good P.S.A. for the toll that social media’s panopticon-like effects take on its participants.
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Something feels vaguely unsettling about The D’Amelio Show. What made us squinchy wasn’t Charli D’Amelio herself; she seems to have her head screwed on straight. ... We’re not sure about the rest of the D’Amelios. ... It doesn’t really give much insight into teens and sudden social media fame, except for the fact that commenters really, really suuuuuuck.
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Charli D’Amelio is the kind of famous that means she’s either completely swarmed by attention or completely ignored, depending on who’s looking. It’s a genuinely strange, fascinating dynamic for a docuseries to explore — and yet, not one that this doc is either interested in or well equipped to handle. Instead, “The D’Amelio Show” settles for a general peek behind the curtain that focuses on the basic frustrations of sudden fame. ... Probably won’t be compelling to an audience beyond preexisting fans.