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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
19
Negative:
0
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Critic Reviews
Season 1 Review:
The production design and costumes often speak more eloquently than any of the characters, and work overtime to communicate subtext that feels a lot more fresh than most of the text. Despite the apparent dependence on CGI, which is true of nearly everything these days, the images are still overwhelmingly tactile. The direction by Jakob Verbruggen is consistently superb, with flourishes that can sincerely be called virtuoso. And the totality of the thing can’t fail to impress.
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Season 1 Review:
Each of the central performances fits the story's jagged and weirdly gracious setting, coming together with mechanical smoothness. Screenwriter Hossein Amini deserves a tip of the hat for translating each chapter so easily for the screen, but the core cast enables his solid prose to hold real weight against the prominent scenery.
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ColliderJan 18, 2018
Season 1 Review:
Throughout its first two episodes, the series hints at many things: the ambitions of an alienist; the monstrous nature of the murderer; the construction and corruption of late-19th century New York; and a show that will continue to improve as it explores the depths not only of its willing amateur investigators, but the depravity of the one they hunt.
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Season 1 Review:
The Alienist plays like a time-traveling installment of True Detective--Cary Fukunaga was even set to direct at one point and retains an executive producer credit, along with several collaborators from previous incarnations--or a 19th century version of Mindhunter, still delivering in sumptuous period production values and strong ensemble casting what it maybe lacks in freshness.
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ColliderJul 20, 2020
Season 2 Review:
The Alienist never quite joined the ranks of The Americans or even Boardwalk Empire as a “great” period drama series, and Angel of Darkness doesn’t really see the show making that leap in quality. But sometimes all you want is a really compelling murder mystery with high production value and compelling characters, and in that way The Alienist: Angel of Darkness delivers.
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RogerEbert.comJan 24, 2018
Season 1 Review:
Something of a missed opportunity. To entertain someone is a fine achievement, but to coax them down dark hallways, to lead them willingly into unpleasant corners, to make them wonder about the monsters lurking inside of others and themselves—that’s something else entirely. Not every show needs that kind of depth, but when you’re delving into the crevices of humanity, you’d better leave something for your audience to find.
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UPROXXJan 19, 2018
Season 1 Review:
The book had all kinds of novelty going for it in the mid-’90s. The TV show lacks that same capacity to surprise, so it (based on the two episodes TNT gave critics) has to lean much more on its story and characters, which were on the sketchy side to begin with. ... The actors are all good, Brühl in particular finding the balance between altruism and obsession, but don’t especially elevate the middling material. (The period setting also forgives the hodgepodge of accents.)
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Uncle BarkyJan 22, 2018
Season 1 Review:
Those who book full passage for Season One’s 10 episodes may or may not get full closure. The Alienist, which closes out Episode 2 with Moore at the mercy of gangland forces and their young boy prostitutes, so far is trying terribly hard to be darkly spellbinding. Toward that end, it has yet to make its case.
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Season 1 Review:
There’s a real disconnect in this telling. With the exception of Sara and two junior detectives, fraternal twins ostracized on the force because they are Jewish, the story seems as dry as a box of Wheat Thins. The scenery is set. The people are dressed for their parts. But The Alienist rarely gets moving.
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IndieWireJan 22, 2018
Season 1 Review:
Be it Sherlock Holmes, “True Detective,” “From Hell,” “Ripper Street,” or even more recent series like “Mindhunter,” this kind of story has been told before and told better. Serial killers are always intriguing because they feel so alien, but “The Alienist” can’t will itself to be anything more than an R-rated update.
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Season 1 Review:
Too much in the pilot gets short shrift at the expense of the show’s love affair with mood. Snow covers streets and then disappears in a scene set moments later; foreboding dialogue comes off as too on the nose. ... Episode two shakes off the unsavory visuals and moves the story and character relationships forward with less emphasis on the heaviness that hangs over the first hour, but by then, some viewers will have moved on.
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Season 1 Review:
The early hours are mostly placid, even docile. What must have come to life in the pages of the book struggles to find so much as a spark on the screen — difficult, admittedly, through the pall of smoke and shadows that tend to choke it. The characters are bland, too.
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Season 1 Review:
Grim and atmospheric to the point of dank, The Alienist proves so derivative as to blunt its appeal. Adapted from Caleb Carr's novel, this historical fiction is handsomely produced and smartly cast, but merely delivers the latest twist on a serial-killer yarn -- a particularly nasty one, true, but which at least initially fails to get under your skin.
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Season 1 Review:
The pace is breathless, the music propulsive, the dialogue delivered almost pugnaciously--why is everyone leading with his or her chin? But there’s also sufficient breadth to give the show depth. That said. ... The dialogue is frequently dull, when not being very deliberately decorated with archaic slang. The acting is mixed--Mr. Bruhl is wonderfully intense, Ms. Fanning stiff and Mr. Evans still, perhaps, awaiting his moment.
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Season 1 Review:
As a moody and essentially faithful adaptation of Carr’s novel, the series gets off to a chilly yet satisfying start, an adequate entry to a particular genre that features dim lighting, resourceful urchins, a class-conscious tone and the sort of arftul staging of corpses that signifies brilliant derangement on the part of the killer. ... Peppered with cliches and predictable banter, The Alienist relies mostly on its atmospheric details to draw viewers in.
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Season 2 Review:
If Fanning's relative stiffness was excusable in "The Alienist" owing to the idea that Sara's confidence in her intellect was new and constantly being assaulted in this man's world, here she's calcified her emotions. Brühl's Kreizler feels even stiffer, to the point of making Ted Levine's still-crooked Thomas Byrnes, the former police chief, achieve Snidely Whiplash levels of hamminess. He's only one character among a bevy of side players who come off as cartoonishly two-dimensional which is good news for Evans, who comes off OK in the midst of this.
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TV Guide MagazineJan 22, 2018
Season 1 Review:
It's all quite sordid and grisly, but only Douglas Smith and Matthew Shear as Jewish twin-brother detectives and cutting-edge forensic nerds seem to be enjoying the hunt. [22 Jan - 4 Feb 2018, p.13]
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