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For the most part, Ten Pound Poms is a watchable drama about the difficulties Brits had in Australia during the post-WWII immigration movement. But its sudden dark turn in the first episode, plus a couple of underdeveloped stories, make us wonder just where the show is going.
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Brown is solid as a husband and father trying to be better and so is Marsay as a wife who wants more. The reason for Keegan’s glamorous nurse being in Australia is convincing, the methods she uses to achieve her aims less so.
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Halfway through, my chief concern is that it’s getting a tad oversoapy, like an Oz-based The Durrells. Let’s hope it doesn’t descend gurgling into the Sunday night primetime suds.