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I still have a sneaking suspicion that Tehran thinks of itself as slightly more highbrow than it is, but it is a solid thriller, often breathlessly exciting, and has cracked the code of relentless tension.
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Tense, atmospheric and now with Glenn Close bringing her movie-star heft, it’s a corkscrewing drama that paints a nuanced portrait of a country often caricatured as one-dimensionally theocratic and anti-Western. Just as importantly, it ratchets up the tension with bruising panache.
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Tics like these are easy enough to overlook in an action-oriented spy thriller; more bothersome is how the new season adds love to Tamar’s motivations (and encumbrances), a move that jacks up the emotional stakes but makes the drama squishier and a little less interesting. The show does fine with the prickly, mature relationship of Faraz and Naahid, but Tamar and Milad’s romance doesn’t rise above cliché, and Sultan and Alenabi don’t bring much heat to it.
User score distribution:
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Positive: 5 out of 11
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Mixed: 0 out of 11
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Negative: 6 out of 11
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Jun 11, 2022