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CRITIC SCORE DISTRIBUTION | ||
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Positive:
31
Mixed:
7
Negative:
0
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Critic Reviews
Season 2 Review:
With season 2, it really feels as if Supergirl--unburdened by whatever behind-the-scenes decisions kept the show from embracing the Superman of it all--just discovered an entirely new sandbox to play around in, one that opens the doors to seemingly endless story possibilities for both the Girl of Steel and the Arrowverse as a whole.
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Season 1 Review:
There are spots where it's too overbuilt for its own good. Some might find that it lacks sophistication and is occasionally unseemly. But for comics fans (like me), who've watched superheroes slowly trade their joy for popularity, there are moments that will leave you with an irrational grin on your face. Supergirl isn't the best show on television right now, but it's one you might love the most.
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Season 1 Review:
There's so much fun stuff going on in Supergirl, from cameos by Dean Cain ("Lois & Clark") and Helen Slater (1984's "Supergirl"), as Kara's adoptive parents, to the introduction of a sizzling hot James "Don't Call Me Jimmy" Olsen (Mehcad Brooks), that it seems churlish to complain about a subplot that threatens to spoil the fun by making a federal issue out of Supergirl.... Benoist's Kara is a joyful heroine and a tough one.
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Season 1 Review:
Come for the top notch production values and the budgetary polish that being on CBS allows. Come for Benoist, who brings a sort of heroic decency you might call Christopher Reeve-esque. Come for Flockhart chewing scenery. I'd say to stay for the uplifting and progressive message, but that's up to you.
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Season 1 Review:
Good casting (including Mehcad Brooks as Superman’s pal Jimmy Olsen--now hunky, African-American and going by the grown-up moniker James) and Benoist’s deft handling of her dual role create hope for the show going forward.... finding the right star, and constructing a credible pilot, are big parts of the battle. Thanks to those strengths, if the producers can sustain the playfulness and action without going overboard on Flockhart’s character, there’s reason to believe this “girl” can fly.
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Season 1 Review:
There are some bumps in the road as the show lays out its premise, but Supergirl has a number of things going for it: Melissa Benoist is convincing and charming in the lead role; the supporting cast, which features the likes of Calista Flockhart, Chyler Leigh, Mehcad Brooks and David Harewood, is very good; and the leaders of the writing team behind it.
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Season 2 Review:
Hoechlin nails the bespectacled, gawky side of Clark Kent, and if he doesn’t seem quite as intense as other on-screen Supermen, the Teen Wolf alum hits the right, big-brotherly vibe with Benoist. Still, more doesn’t always mean merrier: The second season premiere fails to take flight in its clunky introductions of new villains (look, a new Luthor — sort of!) and explosive-but-tiresome action sequences. ... Instead, the hour shines most when it focuses on Kara’s struggle.
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Season 1 Review:
The script, by Berlanti, Ali Adler and Andrew Kreisberg, is a by-the-numbers affair that offers the character’s origin story up front, introduces the villain at just the right moment, throws in the requisite unexpected complication at the three-quarter mark and saves one twist for the final moment. Yet, there are some redeeming, clever touches, primarily whenever Kara (Melissa Benoist) has a scene with Cat Grant (Calista Flockhart), her obnoxious media-mogul boss.
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Season 1 Review:
There are some heavy messages entangled there, but the pilot treads lightly and moves swiftly, quickly establishing the evil force Kara will have to fight and the team she'll have by her side. Yet it also leaves room for a little ambiguity about the wisdom of depending on superheroes. The cast (which includes myth-appropriate cameos from Dean Cain and Helen Slater) is good throughout, with Brooks and Jordan suitably supportive and Flockhart seemingly relishing her Devil Wears Prada role.
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Season 1 Review:
Supergirl pretty much hits the beats you expect it to hit. There are rollicking battles enhanced by lots of digital trickery. There are hints of sinister threats to come, and some plot twists probably aren't as surprising as the writers think. Still, Supergirl is made with style and assurance, and it does enough to keep things interesting.
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Season 3 Review:
The show’s decision to quietly set the stage for season 3 while it ties up loose ends is a smart one. Much of the episode feels mired in the past--and some critics may lament Kara’s post-breakup funk, rightfully so--but hopefully, once the season’s story really kicks into high gear, Supergirl will be flying higher than ever before.
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Season 1 Review:
As the hour progresses and it flaunts its comic-book side (naturally, some supervillains have followed her to Earth, and even more naturally, there's a secret anti-extraterrestrial police force that wants to shut her up, because "nothing says 'covert operation' like a flying woman in a red skirty"), its essential nerdiness—the preferred PC synonym for "juvenile stupidity"—becomes overwhelming.
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Season 1 Review:
The series is well made and features a fine performance by Melissa Benoist (Glee, Danny Collins) as Kara Danvers, a Kryptonian woman who drops to earth a few years after her more famous cousin, Clark Kent. But it also has a patronizing, paternalistic--if not downright reactionary--attitude to gender equality.
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