User Score
Generally favorable reviews- based on 33 Ratings
User score distribution:
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Positive: 26 out of 33
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Mixed: 2 out of 33
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Negative: 5 out of 33
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User Reviews
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Apr 6, 2022Best thing I have ever seen on Apple+. A tense and compelling spy drama laced with smidgens of good humour making the characters likeable. Only a six part series so I am hoping for more seasons if the story permits.
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Apr 3, 2022Great Spy thriller based on the "down and outs" of MI5 that have been banished to their own version of hell - a desk job in a run down part of town called Slough House with all perks of job removed. Gary Oldman is fantastic as the burnt out, seen it all head of branch, Jackson Lamb. It's a shame that trolls have seen fit to sabotage the series score.
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Apr 2, 2022Slow Horses is right up my alley, British Spy fiction with a twist. Also ran MI5 rejects all put in one place to keep an eye on, with rich character histories of failure. It's delicious. First two eps are great, this is a treat.
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Apr 1, 2022Remarkable show so far. Oldman is in top form as a aging spymaster along with a superb Kristen Scott Thomas who lead a team of fine young actors. Please don't listen to right wing trolls who don't like how they are portrayed. Yes Jingoism, bigotry, lunacy, narcissism, and idiocy are the hallmarks of any far right group. Primarily it's an inability to face reality that most defines them.
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Apr 4, 2022
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Apr 4, 2022
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May 26, 2022One of the best shows of 2022. Gary Oldman is great. Old school spy thriller that keeps you guessing.
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May 3, 2022An enjoyable, well-paced and at times funny espionage drama that benefits greatly from Gary Oldman's role as the cantankerous Lamb.
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Apr 11, 2022Another amazing Apple Show. I love it. Gary Oldman and Jack Lowdon has incredible performance.
Awards & Rankings
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Slow Horses shifts into high gear with grisly twists aplenty. [11 - 24 Apr 2022, p.7]
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Slow Horses hardly reinvents the wheel, mostly comfortable with recycling spy-story archetypes with a few minor twists here and there. But when it’s this entertaining, and you get to hear Gary Oldman curse people out with ridiculously-complex bon mots in between fish-and-chips toots, it’s hard to complain about the end product.
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It has action, tense kidnapping scenes, a politically resonant and timely subtext, and a compellingly sour lead character — Oldman’s MI5 agent Jackson Lamb — who is as cynical and weary as he is brilliant. At moments, the story gets a little tangled, but ultimately, by the end of six episodes, it holds up.