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Positive:
34
Mixed:
7
Negative:
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Critic Reviews
Season 1 Review:
Graced with some of the best performances Amy Adams and Patricia Clarkson have ever given, directed with sure-handed and sometimes flamboyant style by Jean-Marc Vallee and dripping with honey-coated but often barbed dialogue, “Sharp Objects” is flat-out great television.
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Season 1 Review:
With many men and women working hard to give off the appearance of a perfect existence while others still close their doors and turn a blind eye to the darkness that clings to the corners of Wind Gap, trauma and abuse have been allowed to continue in a cyclical pattern for years. It's unclear through seven episodes how and if that will ever change for the people of Wind Gap as a community, but perhaps by the end of the series Camille will at least have found the answers — and the strength — she needs to be able to finally put the horrors of her own life behind her.
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Season 1 Review:
The eight-episode series stretches its mystery to nearly unbearable lengths. ... It’s not as dense as Vallee’s “Big Little Lies,” but it does give its female cast meaty roles to savor. Clarkson gets the biggest slab, but Adams, Perkins, Scanlen and Lillis make the most of theirs. For them, it’s an acting banquet. Cut thinner, it might have been prime time prime.
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Season 1 Review:
A suspense tale that reveals a fine drawing of an unravelled protagonist. ... Adams conjures her woundedness without sentimentality. In a performance that is raw but understated, she elicits thrills and occasions sadness, at the center of a tale about a house haunted by itself.
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Season 1 Review:
The layered darkness that inhabits Flynn's work is the primary hurdle here, and fans looking for a captivating mystery with Gone Girl's twists and turns will be disappointed. Fortunately, for those willing to soak in the experience, director Jean-Marc Vallée (Big Little Lies, Dallas Buyers Club) allows for the slow burn required to inhabit Flynn's deeply personal corners.
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Season 1 Review:
The show is Southern Gothic by way of Eugene O’Neill, indicting a culture and its myths without exoticizing them in the same way as, say, True Detective. But it’s also a tightly written thriller centered on women--on the damage they can do whether they redirect their trauma outward onto others, or inward onto themselves. ... The grisliness of the imagery, the aching damage in Camille, the delicate theatricality of Adora, the lovely danger of Wind Gap--all meld to make a series whose darkness is as alarming as it is undeniably enticing.
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Season 1 Review:
Adams, with the support of executive producers Flynn, Noxon and Vallée and an extraordinary team of co-stars, makes Sharp Objects use Camille to weave a palpably dark parable about history’s impact, and how failing to confront its lasting damage traps us. Grim as this assessment may be, this also makes the drama one of the better offerings on TV right now--not a feel-good summertime story by any means, but one deserving of attention and worth seeing through to the finish.
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Season 1 Review:
Like its characters, Sharp Objects is not without obvious flaws, it's also not without impressive strengths. The cast, led by five-time Oscar nominee Amy Adams, is exceptional, making the deep pain and overwhelming angst of these characters both vividly real and incredibly fascinating.
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Season 1 Review:
The plot of Sharp Objects starts meandering again as it heads toward the finish. But the lack of narrative progress is a small frustration, because the characters are so well crafted. Adams reaffirms herself as one of the strongest American actresses. And HBO proves once again that patient storytelling is worth the investment.
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TV Guide MagazineJul 6, 2018
Season 1 Review:
Solving the crime is almost incidental to the lingering puzzle of Camille's clouded past. With prickly vulnerability, Adams brings poignant dimension to Flynn's pulp melodrama. [9 - 22 Jul 2018, p.12]
Season 1 Review:
Sharp Objects turns out to be everything you might have wanted. And also some things you didn’t know you wanted: This eight-part HBO miniseries is a scary thriller, a Southern gothic melodrama, a serial-killer murder mystery, and a dual portrait of motherhood and sisterhood--all of it combined with a sleek ease that rarely lets any effort show.
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Season 1 Review:
Sharp Objects views Camille's assignment, and confrontation with her past, as a laudable, necessary undertaking. Perhaps because it's framed through Camille's perspective, the series is unrelentingly pessimistic. Yet beneath its grimness, Sharp Objects ultimately testifies to the triumph of survival, no matter how ugly or desperate a form it takes.
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Season 1 Review:
Ms. Clarkson has too much dignity as an actress to go full Joan Crawford, which might have been an option. Instead, she delivers an icy, poisonous portrayal of a woman whose soul is in rigor mortis. ... Quite admirably, Mr. Vallée also uses the full depth of the frame in ways you don’t often see, and by doing this he provides us glimpses in the background of things that may mean everything, or nothing, or may just be metaphors.
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RogerEbert.comJul 5, 2018
Season 1 Review:
Beautifully constructed by Vallée and Noxon, and unforgettably performed by an ensemble that seems destined for awards ceremony stages in the near future, this is a worthy follower to “The Night Of” and “Big Little Lies” in this new trend of HBO Mini-Series Obsessions.
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Season 1 Review:
HBO’s wonderfully addictive eight-episode murder mystery based on the Gillian Flynn novel, is predominantly about character; the murder mystery is there to drive the captivating psychological profiles of the main characters. ... Clarkson is remarkable in the role. ... Adams carries the limited series beautifully with a quiet but jagged intensity.
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Season 1 Review:
Aside from some slightly hammy subplots and the predictable snack of a red herring or two, those are my criticisms. In the same breath, I can’t deny that I charged through seven hours of Sharp Objects with an obsessive appreciation for the overall effort, propelled mostly by Adams’s effectively morose and complicated portrayal of Camille.
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IndieWireJul 5, 2018
Season 1 Review:
Camille is literally covered in clichés (we’ll have more on her “Memento”-esque body stylings when spoilers aren’t a concern), but Adams is so subdued in every other measurable quality, her character never spills over into farce. ... Adams trusts her director and the writing, but she also trusts herself. Sharp Objects is a story told in flashes, but it’s always burning.
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Season 1 Review:
[Sharp Objects] is frustratingly opaque, and it moves like molasses. It’s such a slow burn, it nearly fizzles out. ... At the very least, it’s still an artfully shot showcase for some fine acting, which isn’t the worst thing in the world. But considering the big names involved and the promising source material, it can’t help but feel like a letdown.
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Season 1 Review:
On TV, Sharp Objects can't precisely capture Flynn's prose and the internalized descent into disorientation taken page-by-page, but series director Jean-Marc Vallee finds his own visual language that, driven by a ferociously wounded performance by Amy Adams, makes this eight-hour limited series haunting and riveting--both prestige and pulp.
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Season 1 Review:
With a cast led by Adams operating at the peak of her abilities, Sharp Objects is dazzlingly itself, a show in thrall to the horror of its premise but one that finds nuance within unremitting darkness. ... As a detective story, it’s top-of-the-line, and its detective, a reporter who’s too close to her story and far too removed from compassion and from a clear understanding of reality, is a character that will endure long after the mystery is solved.
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