User Score
Generally favorable reviews- based on 28 Ratings
User score distribution:
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Positive: 22 out of 28
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Mixed: 3 out of 28
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Negative: 3 out of 28
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User Reviews
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Apr 23, 2022This review contains spoilers, click expand to view.
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Apr 25, 2022Natasha Lyonne and Annie Murphy are brilliant the acting is flawless and the storyline keeps you engaged the whole time. Emmy deserving
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Apr 26, 2022
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Apr 20, 2022Seemingly bereft of the brilliance that made the first standout or the ideas that prompted such existentialism fail to land. Nadia's next time quandary is against her own mother's decisions which despite however hard she tries to fix it ends up extending the damage. It tries to be an exercise in forgiveness but stops short as joyless escapade without the stakes that made it so worthwhile.
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Aug 22, 2023Just a few days away from her 40th birthday, Nadia takes a subway train and finds herself transported back to 1982.
As with the first season, the premise has been seen countless times before, but the seven half-hour episodes leave no time for filler and everything whips along at a good pace until a satisfying conclusion. -
May 6, 2022Wow, a whole season just to learn to live in the present... again. Nadia in season 2 is just an one linear machine. In season 1 she was smart and was finding reasons why and figuring out why they were stuck in the timeloop. Now, she just makes the worst decisions ever and forgot all the lessons she learned before.
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May 19, 2022This review contains spoilers, click expand to view.
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Jul 29, 2022Natasha Lyonne yet again proves to be the driving force behind this weird time continuum comedy.
This show is bound to be a cult classic in the years to come. -
May 11, 2022
Awards & Rankings
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While "Russian Doll" didn't fully explain the "Groundhog Day"-like aspects of what was happening in its first go-round, it finally reached a logical conclusion. By contrast, the altered nature of Nadia and Alan's predicament mostly just feels like, "Well, we got picked up for another season, so why not?"
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Stylistically and philosophically consistent with its predecessor, it’s different enough to not feel like a calculating retread; as before, it’s admirable in its ingenuity, a little radical and deeply felt in ways that are not radical at all.
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Season 2 offers a more conventionally enjoyable (and more surreal) yarn, hopping decades, continents and bodies. It’s messier than its predecessor but less insular and claustrophobic, too.