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There are many good performances, but I was especially fond of Jones (co-creator and co-star, with James Corden, of the much-loved “Gavin & Stacey”), whose no-nonsense shamus could support a show of her own, and Gledhill, as the only character allowed to display any sort of cheeriness — a necessary leavening agent over eight dark episodes.
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Run Away is another solid Coben thriller with good performances, a little bit of humor and lots of twists. Will it be memorable five seconds after you finish watching it? Probably not. But it’s something good to binge over a weekend.
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It’s not a groundbreaking role for Nesbitt but it does remind you that few do the tormented Everyman better than he does. And, just as deeply pleasingly, it has the always-magnificent Tracy-Ann Oberman. .... The plot moves in increasingly convoluted but well-oiled grooves towards its resolution over the course of eight episodes.