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CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
5
Negative:
0
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Critic Reviews
Season 2 Review:
The unflustered audacity of the plot is just one of the elements that makes Queen Sugar a rare act of beauty and bravery on television. While it caters to the tropes and archetypes that television viewers want in addictive storylines, each episode is unquestionably cinematic in scope and execution as it weaves an enticing and unapologetically political narrative.
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Season 2 Review:
Queen Sugar does not occupy a soap opera's heightened reality, nor does it trade in clichés. Each detail--from Nova's impassioned, elegantly constructed arguments against mass incarceration to Ralph Angel's lack of concern that his son prefers Barbies to Transformers--feels carefully chosen to represent nothing more, or less, than people stumbling toward their best selves.
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Season 1 Review:
Queen Sugar takes its sweet time moving through a moment, lingering where other series tend to sprint, and it is generous with its searching close-ups of faces and hands and its images of the Louisiana countryside at dawn and dusk, an enchanted-seeming landscape of furrowed fields and gnarled, kudzu-covered trees. At its most navel-gazing, the show feels like Parenthood by way of Eugene O'Neill. But tell me you don't want to watch something like that.
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Season 1 Review:
With DuVernay leading the charge, Queen Sugar boasts a promising cast, heavily populated by black actors in their first series-regular roles, and an all-female directing team, some established but many still launching their careers--meaningful footnotes to the quality of the show, which is high.
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Season 1 Review:
Although Queen Sugar looks beautiful and introduces some great characters--including the Bordelon siblings' Aunt Violet (Tina Lifford, Scandal) and her much younger boyfriend, Hollywood (Omar J. Dorsey, Ray Donovan)--the three episodes made available to critics are scene-setters. The seeds for good drama (or at least quality soap) are there. We'll just have to see what grows.
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Season 1 Review:
The pacing seems, at times, at odds with the narrative’s overabundance of conflict. Universally fine performances keep the Job-like series of events from overwhelming things, but DuVernay is so focused on her main characters that the secondary narratives, including lovely scenes between Ernest’s sister Violet (Tina Lifford) and her husband, Hollywood (Omar J. Dorsey), often feel like afterthoughts. ... Even with these distractions, Queen Sugar is an undeniably beautiful series.
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Season 1 Review:
Queen Sugar is deliberately paced--almost annoyingly so at times--and the opening scenes of Tuesday's pilot episode have a disjointed feel to them. But the show eventually finds its footing and packs an emotional wallop as you get to know and care for its characters.
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Season 1 Review:
After three episodes of Queen Sugar, there’s an overriding sense that the show has yet to take off in a big way, and doesn’t show signs that it will for at least a few more episodes, but it most definitely has potential to be a big winner when and if it finds its rhythm.
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TV Guide MagazineSep 2, 2016
Season 1 Review:
Though the glacial pace is more akin to molasses, and the plotting offers few surprises in the first three episodes, there's a powerful contrast between these untended fields and the glittery L.A. skylines visible from the swank home of Charley. [5-18 Sep 2016, p.23]
IndieWireSep 6, 2016
Season 1 Review:
Queen Sugar, at its best, finds quiet moments to contemplate the demands of having siblings as well as being someone’s son or daughter. Those fleeting scenes are few and far between in the first three episodes, and they’re often overwhelmed by unbelievable, exaggerated moments of crises.
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