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CRITIC SCORE DISTRIBUTION | ||
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Positive:
12
Mixed:
5
Negative:
0
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Critic Reviews
Season 1 Review:
I've watched tonight's show, the pilot, three times already - and not because I'm searching for the clues that Affleck and Bailey have embedded in the film. I love hearing nerdy IRS agent Jim Prufrock's improbably forceful declaration of why he loathes tax cheats. I love the way the Push residents talk about their local "slow-dance bar" as if it were as commonplace as a KFC outlet. I'm curious why all the couples in Push make love every other night at precisely the same time. I admire the creative visual presentation, which rivals that of a good commercial or music video. [17 Sept 2002, p.B03]
Season 1 Review:
The drama itself will look and sound familiar to anyone who remembers "Twin Peaks," ABC's short-lived freakazoid hit of the early 1990s. Weird music, weirder lighting, menacing characters, dark forebodings. Perhaps the biggest mystery is the producers' choice of a hero, an IRS agent, not a figure most dramatists would pick for his sympathetic qualities. [17 Sept 2002, p.E-6]
Season 1 Review:
It's nothing David Lynch hasn't crossed out and done better, but at least it's different. Most viewers won't play the game, but if you're interested, write down every number you see, call phone numbers you notice and pay attention to things that mysteriously change.
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Season 1 Review:
The significance of naming the hero after T.S. Eliot's famous poem "The Love Song of J. Alfred Prufrock" (do you suppose the "J" stood for Jim?) is not readily apparent from the premiere, but then this is a show that doesn't aim to be readily apparent, or even to be reasonably coherent.
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