- Network: ABC
- Series Premiere Date: Dec 18, 2005
User Score
Mixed or average reviews- based on 20 Ratings
User score distribution:
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Positive: 8 out of 20
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Mixed: 3 out of 20
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Negative: 9 out of 20
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User Reviews
- User score
- By date
- Most helpful
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JosephMJan 3, 2006Charming and lovely adaptation.
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ElyceHJan 4, 2006
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BrentPDec 18, 2005
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mollyhDec 20, 2005
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richardgDec 28, 2005
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RachaelDDec 30, 2005
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KenSJan 14, 2006It isn't the Wonderful World of Disney that I grew up on. I quickly turned it off when I realized the lady was singing about her bastard child. It isn't the thing I want to discuss with my young daughter. As a Disney stockholder it was an embarassment.
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MarySJan 2, 2006FANTASTIC! It was great to see it redone, especially with Carol Burnett as the Queen. The entire production was a joy.
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joesDec 18, 2005
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JonFDec 19, 2005
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BobWDec 19, 2005
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JACKGDec 20, 2005A delightful show has been Disney-ized, removing all irony, shtick and half the score. Well at least it's better that the awful Sara Jessica Parker revival that reviled Broadway a few seasons back.
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JohnMDec 23, 2005
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ChrisODec 30, 2005A delightful version of an engaging musical. The cast shined.
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richardbDec 18, 2005I could hear Burnett in my head doing all of Fred's songas and Ullman is surely no Burnett. Tracey went all out for loud and fast, without any of Burnett's sly internal comment on the lyics as she went along, esp in "the swamps of home." I think Carol could still have played Fred and have someone like Maggie Smith ply Aggravain.
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DeborahHDec 19, 2005Never my favorite musical, but thoroughly enjoyable. Good singing and dancing throughout, great costumes, casting, and sets --- I flipped back and forth between this and "The Simpsons" for 1/2 hour and wished I hadn't missed any of it.
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Jul 15, 2018I would have liked this, cause of Carol Burnett alone being in here, except this movie is so catered to the 5 and under crowd that I couldn't get into it. It does have some nice and chuckle moments but still... Kind of a downer.
Awards & Rankings
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The remake has everything that those earlier versions had and something more: Tracey Ullman and Carol Burnett together and at each other's throats.
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Nothing works very well in this elaborate but leaden production, which seems more interested in Bob Mackie's costumes than in the characters they clothe.
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The production doesn't engage the ears, the eyes, or the laugh muscles. It engages only the snooze button.