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CRITIC SCORE DISTRIBUTION | ||
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Positive:
19
Mixed:
3
Negative:
0
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Critic Reviews
Season 1 Review:
Dunst takes risks and they pay big dividends. ... Emmy worthy. [Theodore Pellerin as Cody] is one of the best performances of the year. It makes you want to discover what drives him and where he’ll finally wind up. Others, though, are equally compelling. ... “On Becoming a God in Central Florida” is one of the best new shows of the year.
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Season 1 Review:
On Becoming a God in Central Florida is a series that caused me to, numerous times as I watched the first season, write in my notes, “What is this show?” But it was always in a good way, as I found myself in awe of what I was watching. With every hard left turn and 180 the series takes, the tone somehow manages to remain consistent.
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IndieWireAug 21, 2019
Season 1 Review:
“On Becoming a God in Central Florida” is such a clever, compelling, and thorough evisceration of American capitalism it’s shocking Elizabeth Warren isn’t listed as an executive producer. ... The awesome Kirsten Dunst (also an EP) is the story here, bringing a captivating vitality and unflinching veracity to her lead character, Krystal Stubbs.
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Season 1 Review:
The exceptional cast handles the tonal shifts and more absurd developments with aplomb, but they can’t keep the season from losing steam in its final two episodes. When the wheels come off, it makes for an exciting stretch, but what follows feels a tad anticlimatic. It’s a quibble, though.
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Season 1 Review:
Krystal’s 10-episode odyssey, steered by showrunner Esta Spalding, is a viciously funny smashing of the sandcastle that is American capitalism, a rigged system illustrated by an Amway-style pyramid scheme. ... [Kirsten Dunst’s] performance is worth paying attention to from the start, but the show finds its muscle the moment Krystal realizes that the only way to crawl out of the beast’s belly is to dive into the heart of it, then gut it and strut around in its skin.
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Season 1 Review:
[Kirsten Dunst] sustains the series with a life-giving performance full of heart and, possibly more important, steel. ... For all its one-note darkness, the episodes move along compellingly, thanks in good part to sequences involving evidence-gathering against Obie led by a daring and determined Krystal along with a cocaine-sniffing TV reporter. Then there’s the complex, if also slightly repellant romantic connection that grows between Krystal and the youthful Cody (a jewel of a performance by Théodore Pellerin).
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Season 1 Review:
It's a gem of a performance from Dunst. ... On Becoming a God in Central Florida establishes its foundation well and, especially early on, the payoffs are steady and sometimes surprising. Even if the conclusion and tease for the second season are much less exciting than I'd have hoped, after 10 episodes Dunst, Levine and the details of this strange world kept me from ever feeling scammed.
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Season 1 Review:
Dunst’s performance is so magnetic that the show could’ve focused on her alone, but it wouldn’t have been half as effective. While Krystal is its undeniable hellion heroine, the series is as much about egocentric scam artists and the widespread devastation they can wreak as it is about Krystal’s struggle to overcome it all.
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Season 1 Review:
“On Becoming a God” has a few standout episodes, including the pilot and a midseason trip to a FAM retreat. ... But down the home stretch, just when we should be most involved and invested, too many developments feel arbitrary and forced, and there’s far more weirdness and wackiness than well-earned, well-executed dramatic/comedic payoffs.
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Season 1 Review:
[Dunst] does what she can, but the script and story (the show was created by Robert Funke and Matt Lutsky) work against her natural vibrancy. Krystal’s a cipher — there’s not much to her beyond her single-mindedness, a weapon the plot uses to disrupt the lives of the secondary but more fully rendered male characters.
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Season 1 Review:
At first, On Becoming a God is strange and funny enough to merit a leading turn as good as Dunst’s. ... But the creative team soon runs out of new things to say about FAM, and about most of these characters. There’s some entertaining interplay between Krystal and Cody, and the way she learns to use all of her powers against him. But what you see in the first few episodes is mostly what you get throughout the season.
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