ABC | Release Date: September 21, 1993
CRITIC SCORE DISTRIBUTION
83
METASCORE
Universal acclaim based on 24 Critic Reviews
Positive:
19
Mixed:
5
Negative:
0
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100
Pittsburgh Post-GazetteRon WeiskindApr 3, 2013
Season 1 Review: Yet another explosively compelling police drama -- not to mention a controversy that seems certain to guarantee a big audience for the program. [21 Sept 1993, p.D1]
100
Washington PostTom ShalesApr 3, 2013
Season 1 Review: A compelling and sometimes harrowing hour of high-tension urban trauma, different from Bochco's "Hill Street Blues" and at least as good as any other drama series now on the air. It delivers a good, stiff shock now and then, and what's wrong with that? It's surely preferable to shows that lull you into numbness. [21 Sept 1993, p.D1]
100
Chicago Sun-TimesLon GrahnkeApr 3, 2013
Season 1 Review: Take away the nude lovemaking scene, the revolutionary level of potent cussing, the curiosity-stirring controversies surrounding Steven Bochco's premeditated shock elements, and NYPD Blue remains one helluva cop show. [21 Sept 1993, p.35]
100
Chicago TribuneRick CoganApr 3, 2013
Season 1 Review: In Franz, the show has an actor who is to TV cops what Walter Cronkite was to anchormen. It seems as if I've seen Franz try on about a thousand TV cop outfits. This one fits perfectly - tattered, soiled but real...Caruso is a revelation. Given the history of TV redheads - Red Skelton, Lucy, Howdy Doody - one doesn't expect to find a carrot-topped tough guy. But Caruso is convincing, engaging and fully of New York City. [21 Sept 1993, p.T1]
100
Seattle Post-IntelligencerJohn EngstromApr 3, 2013
Season 1 Review: NYPD Blue is a very good cop drama, often edging its way into superb...It is intense and powerful, peopled with intriguing characters. And it addresses issues in remarkably human, real terms, especially for television. [21 Sept 1993, p.C1]
90
Season 1 Review: NYPD Blue is telling a tough, engrossing story about several fascinating characters...Chief among them is the grimly determined but not humorless Kelly, played by David Caruso with an irresistibly cool, understated intensity. Caruso's performance is the perfect counterpoint to that of Dennis Franz as the constantly fuming, embittered Detective Andy Sipowicz, Kelly's partner. [19 Sept 1993, p.TV-6]
88
Miami HeraldHal BoedekerApr 3, 2013
Season 1 Review: A striking, crisply edited show. The raw language, the series' other point of controversy, gives NYPD Blue an authentic flavor. Here is a series about bruised people, seemingly beyond redemption. This is the way they would talk. [21 Sept 1993, p.E1]
80
Houston ChronicleBruce WestbrookApr 3, 2013
Season 1 Review: The acting is strong. The music is urgent. The on-location shooting - with many exteriors - has a gritty Gotham authenticity. And the directorial style is crisp and energized. [21 Sept 1993, p.H1]
60
The Hollywood ReporterMIles BellerApr 3, 2013
Season 1 Review: While the music of Mike Post makes its insistent point, complementing Franz's fine crafting of a hyper-real portrait of a public servant that's effective in a heightened way, NYPD's overall impact is all too self-consciously wrought to engender quieter, deeper aspects that would truly flesh out the fictional lives assayed here. [21 Sept 1993]
60
St. Louis Post-DispatchGail PenningtonApr 3, 2013
Season 1 Review: In no way does NYPD Blue even approach the brilliance of Barry Levinson's police drama, "Homicide," which aired briefly last spring and still could return. So if you exercise your right to change the channel when it comes on, you won't be missing greatness. [19 Sept 1993, p.7F]
50
NewsdayMarvin KitmanJul 12, 2013
Season 4 Review: "NYPD Blue" is no longer cutting-edge TV. ... It has become a soap. [14 Oct 1996]
50
Los Angeles TimesHoward RosenbergApr 3, 2013
Season 1 Review: Watchable but disappointing. [21 Sept 1993, p.F1]
50
Christian Science MonitorMarilynne S. MasonApr 3, 2013
Season 1 Review: The show is a mixed bag. The story line is formulaic, but the dark tone is skillfully shaded in gray. The approach to sex is basically gratuitous, sexist, and tiresome - more banal male fantasies. The handling of violence is at least concerned with consequences. There are too many stock characters, and the speedy pace is manipulative, but the camera work is excellent in the pilot, and the character development of the show's protagonist is one of the most interesting ever created for a weekly cop show. [21 Sept 2003, p.13]