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CRITIC SCORE DISTRIBUTION | ||
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Positive:
7
Mixed:
5
Negative:
0
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Critic Reviews
Mar 21, 2019
Season 1 Review:
First and foremost, this is a show in which dildo injuries are a constant menace (and, possibly, an allusion to the obsessions of earlier generations) and virtually any visit to a friend's home is likely to interrupt sweaty, noisy rutting. (Lest you accuse me of hyperbole: twice in the first three minutes of the pilot.)
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Mar 8, 2019
Season 1 Review:
With its casual queerness, its tinfoil-hat doomsayers and its vague but pervasive mood of foreboding, Now Apocalypse fun-house-mirrors a world that has finally caught up to Araki. If ever there was a time for free-loving youths to party through their panic, then surely that moment is now.
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Mar 11, 2019
Season 1 Review:
After watching the first five episodes, I don’t recommend watching “Now Apocalypse” every week. I do suggest waiting to the end of the season and downloading the series in one sitting. Now Apocalypse plays like the kind of show that can only benefit from a decadent binge.
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Mar 8, 2019
Season 1 Review:
Now Apocalypse is equally as ambitious [as Kaboom], but not nearly as well executed. Where Araki and Sciortino do succeed, in addition to making sly, poignant commentary about power and relationships, is in subverting expectations, first in giving viewers a queer story that’s a bit fraught, but mostly fun.
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Mar 4, 2019
Season 1 Review:
It often falls prey to the same problems that have undermined other series by filmmakers who spent decades working in self-contained theatrical features, and either don’t get that serialized TV is structurally a different animal, or else know and don’t really care. But there’s so much originality and audacity on display that even when the series isn’t working, it’s working. If it feels like it might be attuned to your vibe, and if you can stick with it long enough to get over whatever you expected it to be, it could grow on you.
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Jan 30, 2019
Season 1 Review:
Now Apocalypse, debuting March 10 on Starz after a Jan. 29 premiere at Sundance, pushes its tone of oddity to what will likely be the limits of many viewers’ patience, bringing several amiable performances to bear on a story that feels like a warmed-over rehash of sharper material.
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