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Critic Reviews
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Motive flounders chiefly, however, because it expends lasting suspense by providing the audience with all the hard facts they need up front, subsequently granting them an invitation to leave the party early.
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Its nonlinear, whydunit approach makes the show stand out. The fractured loop-de-loop narrative creates not just surprise but suspense.
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The characters don't feel any richer here than they do on CBS' various cop shows, and the series doesn't even commit to how much it wants to keep you guessing about why the crime occurred.
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There is really only one reason to watch ABC's Canadian-import place-holder crime drama Motive--Kristin Lehman.
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It doesn't reinvent the genre by any stretch but this lighter tone is noteworthy.
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The standard pieces are all here, just fit into the hour in a different order.
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Both believable and appealing as the hard-bitten homicide investigator, Lehman provides the only real motive for tuning in.
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It’s reasonably smart, reasonably interesting and reasonably well acted without being particularly good.
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You've heard of open-and-shut cases. Motive is more like open and yawn.
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Lehman is good, most everything's OK, but nothing is especially fresh or compelling.
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It’s a reasonably involving series made better by the chemistry between the two leads.
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Motive isn't ingenious enough to motivate imitations or spinoffs, but it's smooth and diverting. [27 May 2013, p.40]
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Lehman’s character is allowed to exhibit a bit of a personal life, but for the most part the series doesn’t stray far from its criminal motif. Nor do other members of the squad have enough material to register beyond a blip.
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Instead of being a whodunit, Motive is a "whydunit," which, except for the appeal of the show's star, amounts to a "whocares."
Awards & Rankings
User score distribution:
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Positive: 14 out of 23
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Mixed: 4 out of 23
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Negative: 5 out of 23
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May 22, 2013
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May 21, 2013
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Aug 6, 2018