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CRITIC SCORE DISTRIBUTION | ||
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Positive:
88
Mixed:
4
Negative:
1
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Critic Reviews
Season 5 Review:
Louis CK is a great comic actor, writer and director. The character of Louie is exquisitely crafted in his creator’s mind and on the page long before he delivers his lines. It’s insufficient to call Louie an everyman. He is far more complicated than that, and far funnier as well. If Sam Beckett were still around, he’d be rolling in the aisles.
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Season 4 Review:
Its main purpose is to confront the taboo, and whether that means exploring just how far Louie will go into the "experimental" side of masturbation in the season premiere or simply digging into his ugliest prejudices about overweight women, the show can be revelatory.
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IndieWireApr 10, 2015
Season 5 Review:
The fantasy sequences and flashbacks are gone, with the show instead focused fully on awkward situations, mix-em-ups and conversations so serious they can either break your heart or crack you up.... Watching Louie means looking at the world through C.K.'s eyes; and through his eyes, the world is never boring.
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Season 5 Review:
Featuring wild swings in tone, Louis C.K.’s deeply personal, frequently melancholy vision of life opens with what amounts to a mini-masterpiece of awkwardness, then proceeds to deal with his ongoing peculiar romance, a troubled friend and finally an unexpected encounter that’s both raw and disturbing. Almost nothing else on TV--certainly in half-hour form--rivals the particularity of C.K.’s approach.
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Season 2 Review:
Dating, working, friendship, the mixed bag of wonderfulness and tedium that is raising kids--all of these things clearly take up a huge amount of real estate in Louis C.K.'s mind, and watching him tenaciously sort through his reactions to challenges in those arenas is always interesting, occasionally profound and frequently funny.
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Season 5 Review:
The turmoil of such [relationship] arrangements, the anxiety and surprising limitations of being personally unbound by societal norms, has been a key part of Louie's inimitable perspective since its inception; here this anxiousness stirs up new perspectives on Louie's ability to forgive and his unique style of courting.
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Season 5 Review:
Tragedy is hard, comedy harder, while mixing both together seamlessly is just about impossible week after week. That Louie usually succeeds is a minor miracle. That it doesn't always is inevitable. Thursday's opener, "Potluck," has a funny twist but ends up in a strange, bitter place--even by Louie standards.
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Season 5 Review:
[The first episode] seems to prefigure a humdrum season of more conventional, gag-based humor, but beneath its self-contained farce the episode actually complicates C.K.’s pet themes in small, potent ways. And it’s ultimately a perfect setup for the story arc that follows in the next few episodes.
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Season 5 Review:
C.K. doesn’t even seem to be placing much value on eliciting guffaws during the stand-up segments that used to give his show a jolly lift at the beginning and end of each half-hour. Interestingly, over the course of the first four episodes I’ve seen, the warmest vibes emanate from Pamela.
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Season 5 Review:
The new season is a more straightforward affair over all, reminiscent in tone and structure of the show’s brilliantly mordant first three years.... As Louis C.K. reinvents the classic sitcom in his own elliptical, cerebral style, he seems to be in his absurdist theater phase, or his surrealist short-story phase--Kafka on the Hudson. (Louis C.K. still writes, directs and edits every episode.) At that level of ambition, some things work and some don’t.
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Season 1 Review:
The nice part about Louie is that its loose structure creates ample possibilities, while its grainy vision of New York approximates the feel of an independent film. For all that, the laughs come only intermittently, and the sequences of our hapless hero doing stand-up are generally superior to his limitations as an actor.
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