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Critic Reviews
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The actor [Lewis], who uses a flawless American accent, makes Life worth a gander. And he is surrounded by a distinctive cast.
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Mildly satisfying, but pretty formulaic.
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Lewis is terrific. But his brazenly loopy lawman may not be to everyone's offbeat crime drama tastes.
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Life is intelligent fun.
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There’s no doubt Life is blessed with a fine lead actor, an intriguing premise and better writing than most new shows this fall. It’s just that viewers aren’t going to find that promising TV drama buried underneath all the crime procedural.
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Playing it long and lugubrious but with a tantalizing twinkle, Lewis (last seen in the States as the hateful husband in "The Forsyte Saga") may well wrest the mantle of sexiest troubled American played by a Brit away from Hugh Laurie.
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This peculiar comedy-drama has some cockeyed wrinkles that make it interesting.
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Life doesn't squander the talents of its cast. The mysteries are solid, the characters multilayered, and Crews is given a bigger mystery about which to obsess--finding out who framed him.
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Just as we begin to wonder whether Life is intended to be, um, wacky, it takes a darker turn.
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Lewis is a strong enough actor (again, see "Band of Brothers") that there are moments where he pulls together all these tics into a character who could be interesting, but too much time gets wasted on pedestrian mysteries to give him room to work.
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Lewis is such a commanding presence that Sarah Shahi is rendered little more than an accessory as Dani. There's nothing going on between the partners at the outset, but this is subject to change.
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I could make more fun of Life, but it probably wouldn't be too good for my karma.
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It gets bogged down by so many procedural elements that all the character moments get squished and forced out around the edges, resulting in an uninteresting blob of an overly familiar TV show.
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Details of color and composition do the work usually handled by too much expository dialogue, granting access to Dani and Charlie’s thinking.
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Just dreadful enough to want to shoot yourself and end up in the tender loving arms of the people at "Private Practice."
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While one can never count out a decent cop show, Life's main character is so weird he either fascinates you immediately or turns you off.
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It's an entirely different vibe, further enhanced by a charismatic and quirky central character who is both unpredictable and impossible to pigeonhole. Given a chance to develop, Detective Charlie Crews could someday take a place with the likes of Kojak, Columbo and Monk.
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The narrative structure of the show is incredibly satisfying: During each hour a crime is committed and solved, as Charlie’s search for who might have framed him provides the overriding arch, satisfying our short attention spans and taste for long-form narrative at once.
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Strip away the abrasive flourishes, and what's left is a standard-issue TV mystery with cases that are too easy to solve and internal conflicts and conspiracies that make no sense.
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Crews quirky mannerisms don't overwhelm the plot, and the show does strikes a nice balance between whimsy and its much darker backstory.
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Of all the new shows I've watched, it's also the one I'm most eager to see again.
Awards & Rankings
User score distribution:
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Positive: 206 out of 253
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Mixed: 6 out of 253
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Negative: 41 out of 253
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Dec 21, 2013
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Mar 13, 2013
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Jan 2, 2012