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CRITIC SCORE DISTRIBUTION | ||
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Positive:
124
Mixed:
19
Negative:
0
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Critic Reviews
Season 7 Review:
The Homeland premiere captures the uncertain, unsteady mood of the nation, without any especially perceptive pieces of headline-ripping. ... Despite some outsized acting and the large implications of Keane's actions, on a narrative level the Homeland premiere is decidedly small.
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Season 6 Review:
Homeland might have learned how to turn its history into an asset, but it also can’t escape the fact that, like most shows with long runs, it can do little to surprise us anymore. Danes keeps Carrie watchable through the sheer force of her charisma, and Patinkin is always a treat.
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Season 5 Review:
Syria and refugees are only the beginning of this season’s potent mix of ripped-from-the-headlines crises.... Carrie is, unsurprisingly, headed back to her old identity as master snoop on the hunt. Between that and the news focus, not to mention the glittering Berlin street scenes, welcome to the new Homeland.
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Season 5 Review:
With its masterfully prescient knack for melding international headlines with implausible tales of espionage, Homeland kicks off with parallel plots involving the Islamic State and a computer-hacking incident.... Carrie’s boss is demanding a high-security humanitarian visit to an ISIS trouble spot, and a viewer realizes that this updated Homeland runs the same as it always has.
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Season 5 Review:
Homeland works at a slower pace and the premiere mostly lets Carrie keep up the illusion that she'll be able to live a carefree life with strudel and a smile.... It's that third episode, in which Carrie realizes that past misdeeds are coming home to roost, that the shape of the season really takes effective form.
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Season 3 Review:
There's a lot to like in these first two episodes: Dana and Jessica's scenes have greater psychological weight than before, thanks to Brody's absent presence, though they do raise the uncomfortable question of how interested we need to be now that the family isn't directly connected to the show's central institution anymore (the Betty Draper problem on Mad Men). The episodes also give us a clear, at times unnerving sense of how hard it must be for somebody as gifted but volatile as Carrie to work in such a button-down environment, and how easy it must be to write her off as merely unstable or merely crazy.
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Season 3 Review:
At moments, it’s like [Season 3 of] Homeland blew up not just CIA headquarters but season 2 itself. That is, it’s a version of what it might have been like if--as was apparently the original plan--Brody’s explosive vest did go off in that government shelter at the end of season 1. And it works, mostly, at least for the two hours of the season’s beginning.
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Season 7 Review:
As the light of democracy dims, Carrie has become more manic (understandable), and Saul more resolute. The world has turned upside down, and only they can set it right. We know they’ll eventually save the presidency, hopefully the president, too. We know real news will eventually prevail over O’Keefe’s incendiary fake variety. We know all this, but we also suspect the ride would be a lot more fun if Peter was along for it.
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The IndependentFeb 18, 2020
Season 8 Review:
It’s well built. But all its life comes from Danes. Mathison’s troubled mind has always been a metaphor for government intelligence: brilliant but unreliable, vital but dangerous. Danes’ performance animates not only the scenes but the ones she is not in, too, and every time she’s out of shot you crave her return.
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Season 5 Review:
Viewers will have to decide how much good faith the show earned with its redemptive fourth season as its fifth one crawls in the direction of a plot. If this is the season in which Homeland aims to resolve its own contradictions and to deliver to its tortured characters some measure of understanding or peace, it would benefit, as my colleague Willa Paskin has noted, from a little bit more crazy.
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Season 5 Review:
Those three central performances [Carrie (Claire Danes), Saul (Mandy Patinkin), and Quinn (Rupert Friend)], along with that of F. Murray Abraham as the C.I.A. sensei Dar Adal, still carry the show, though it’s starting to feel as if we’ve seen everything Ms. Danes has to offer as Carrie.
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Season 7 Review:
Fans will be happy that this involves the resurfacing of Carrie’s spycraft, and it’s a pleasure in the season premiere to watch her pulling her gear out of hiding, or duck into a hotel room and put on a disguise--it’s like she’s getting back into her own skin. On the downside, it also means that she’s back to willfully endangering the people in her life, a trait that could be seen as a complexity of character but has always registered as an unpleasant distraction.
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Season 5 Review:
If you're still on board with wondering if Carrie will go off her meds again, whether she and Saul will patch things up, or if Quinn is an alienated killing machine or kind of crushing on Carrie, welcome back to Homeland. But if you're craving something more, Season 5 may feel like a retread job on tires that are showing their wear.
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Season 6 Review:
The overwhelming sense of a work drained of vitality-- of a series once rich in suspense of the most brilliantly imagined kind, especially in the past two seasons, now flattened, on the evidence of the first episodes, to a deadly predictability, all of it the inevitable result of works dedicated to sermonizing.
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Season 4 Review:
There is a flatness to the supporting characters--Saul's wife and Carrie's sister are now garden-variety Prestige Cable nags--and a measured predictability to the overall story that drains too much tension from even the sight of a wig-free Corey Stoll. Yet Mandy Patinkin and F. Murray Abraham are still fantastic, the show still employs top-notch directors and Homeland can still rustle up an atmosphere of tense isolation when it needs to. All in all, many of the tin-eared elements would more or less tolerable if I were still intrigued by Carrie Mathison.
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