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CRITIC SCORE DISTRIBUTION | ||
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Positive:
6
Mixed:
8
Negative:
6
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Critic Reviews
Jan 8, 2026
Season 1 Review:
It’s a character-driven enterprise, though there are a pair of concluding plot twists that, in their utter insanity, may make some viewers crazy themselves. .... That said, there’s a lot to enjoy about “His & Hers.” The performances are absorbing, though the fact that Anna and Jack are at odds for much of the six-part series is probably fortunate, because the actors are so stylistically incompatible.
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ColliderJan 8, 2026
Season 1 Review:
While some of the clues are there all along, two major reveals in the back half of the series seem too conveniently withheld from the audience and the characters until the last minute. All that aside, the final two episodes are also the most action-packed and full of surprises.
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The GuardianJan 8, 2026
Season 1 Review:
The twists, they are plentiful. The absurdities, they multiply. The viewerly enjoyment, it increases. The script – intoxicating mercenariness aside – is serviceable. The endeavour is bingeable. Nobody needs more, this early in the year. His-and-hers comfort television is enough.
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Jan 8, 2026Movie NationJan 15, 2026
Season 1 Review:
But as a series, “His & Hers” is best at luring us in. The payoffs are consistently disappointing and the final episode basically an eye-roller, start-to-finish — all filler and “explanations” and “You didn’t see THAT coming” when we most certainly did and a long time before.
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Jan 8, 2026
Season 1 Review:
As more murders pile up, seemingly targeting Anna’s old high school clique, emotions run high all around. Jack is so blustery, so loudly and quickly dismissive of Priya’s good ideas, that the phrase “doth protest too much” springs to mind. (As does, “Simmer down, Jon Bernthal.”)
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Jan 8, 2026
Season 1 Review:
“His & Hers” hints at a welcome playfulness by revealing the reporter/cop connection just after Anna has sex with someone else she just met. But the show quickly becomes irretrievably serious, despite most storylines hinging on conflicts of interest so outrageous they would only make sense in a farce.
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RogerEbert.comJan 8, 2026
Season 1 Review:
At times, they [Tessa Thompson and Jon Bernthal] do so much to elevate the material that you want to give it a pass just to reward their efforts, but the show increasingly places so much bad dialogue and illogical character choices in their paths that even they get stuck in the Southern mud of this Georgia tale.
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IndieWireJan 9, 2026
Season 1 Review:
The general indifference shown toward its own story — or, at least, the best versions of it — comes to emphasize the emptiness at its core. And the big reveal, so preciously protected until the very end, isn’t clever enough to distract from such a muted build-up. It isn’t really clever at all.
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