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CRITIC SCORE DISTRIBUTION | ||
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Positive:
20
Mixed:
6
Negative:
1
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Critic Reviews
Season 3 Review:
“HSM:TM:TS” has great adult appeal. It also boasts a lot of solo numbers, presumably because COVID concerns limited the number of big song-and-dance routines. Bassett, one of the best in a very excellent bunch, gets a rousing “breaking free” anthem that he sings. ... It isn’t a huge twist on the summer formula, but it does have enough variety to suggest this season could produce a couple more breakout stars.
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Season 2 Review:
When Federle brings in the North High cast (also competing for the big “Menkie” award for school productions), “HSMTMTS” becomes much more complex than any of its predecessors. ... “HSMTMTS” may have the longest title of any series on television, but it earns each of its consonants.
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Season 1 Review:
The result is surprisingly refreshing, even with a title that suggests a sense of redundancy. ... The series is not a reinvention of its genre, but it shines in its little specifics, like the agony of listening to someone slog through reading stage directions out loud, or impromptu harmonies that are really just singing an octave up. The cast is bubbly and terrific, and the zingers (“my mother bounced back from an autopsy!”) keep everything from becoming schlockola.
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Season 4 Review:
For all the chaos of the dozens upon dozens of cast members we’re meant to keep up with, it’s enjoyable nonetheless. Of the main characters we were introduced to in Season 1, there isn’t a bad apple among them. The strength of the (platonic!) relationships that have soldiered on since day one is what keeps audiences coming back.
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Season 1 Review:
The result is equal parts clever and sweet, with an energetic cast and a love triangle plot that’s sure to make junior romantics starry-eyed. The Series is still a bit too Disney-sanitized to have much intrinsic appeal for adults, but there are enough meta jokes to ensure that their eyes don’t glaze over.
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Season 1 Review:
One-part bloated gobbledygook, two-parts meta satire, this funny/kitschy Disney+ mockumentary series resides somewhere between spin-off, reboot and self-parody. Either way, it's another classic ouroboros from the House of Mouse, which plumes itself with audience nostalgia. Thankfully, it's bright enough...as long as you can stomach High School Musical hagiography.
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Season 4 Review:
In the first six episodes screened for reviewers, there are only two songs that showcase what HSMTMTS does best: present original HSM numbers in a new context. So let’s hope we get a few more in the final two episodes, giving the emotional and spirited farewell these characters deserve.
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ColliderNov 4, 2019
Season 1 Review:
Overall, High School Musical: The Musical: The Series is as charming and endearingly tongue-in-cheek as that title would suggest. It mostly exists in that sweet spot between pure empty nostalgia and something completely new, a series that hits you with those sense memories from a simpler time while, once or twice an episode, reaching high notes all its own.
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TV Guide MagazineNov 14, 2019
Season 1 Review:
It's a very meta, but mostly meh, homage. ... It's like Glee without very much glee. [11-24 Nov 2019, p.16]
Season 1 Review:
Beyond an Instagram reference here and there, its first couple episodes just doesn’t do much to reflect that the show is set well over a decade from when Efron and Hudgens first hit the stage, or make a case for why this story might be interesting to tell now beyond “people know what ‘High School Musical’ is and Disney Plus needed content.”
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RogerEbert.comNov 11, 2019
Season 1 Review:
It’s about the staging of a version of “HSM” in a high school, but that’s just the backdrop for another mediocre love triangle story. The dialogue and characters here are so grating that it’s one minor rewrite away from a “Scary Movie”-style parody of “High School Musical” instead.
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