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CRITIC SCORE DISTRIBUTION | ||
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Positive:
48
Mixed:
10
Negative:
3
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Critic Reviews
Season 3 Review:
"Hannibal" is one of the very best shows on television. But it's also so extreme in depicting violence and its aftermath — even in this heightened fashion, and often with a dry, absurdist sense of humor about it — that it's not one I would insist every serious TV fan must watch.
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Season 2 Review:
Hannibal has always been beautiful, and that’s still the case. It’s also always featured dialogue and plots that stay just on the right side of being too pretentious, and that remains the case. If there are any notable steps up from season one, it’s both in the tension that mounts thanks to the great game played between Will and Hannibal and in the better use of the show’s supporting cast.
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RogerEbert.comFeb 27, 2014
Season 2 Review:
Hannibal is thematically brilliant and dense in ways that most network television is not, but it wouldn't remotely work without its committed, incredibly talented cast. Dancy and Mikkelson continue to redefine these characters to the point that they're making them their own while Fishburne, Caroline Dhavernas, and another great guest turn by Gillian Anderson elevate the overall ensemble.
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Season 3 Review:
The series has also been acquainted with theologically bent ideas, but the trajectory points to the series' characters becoming manifestations of Biblical themes, concepts, and binaries. That they're able to get away with such hard to sell content and pull it off with such aplomb is proof yet that Hannibal, so often a cut above the rest, gets away with delicious murder.
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Season 3 Review:
[The] TV adaptation ... continues to surprise three years into its run. ... Unlike most shows that reach for the “reset” button, Hannibal wasn’t in a position where it needed a new beginning. It’s just the logical, natural place to go, and the fresh slate makes startling hay from the unknowns.
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TV Guide MagazineApr 4, 2013
Season 1 Review:
If you stay, you just may find yourself captivated by a trio of strong performances from Mikkelsen, Hugh Dancy and Laurence Fishburne--and entranced by the fevered-dream spell cast by creator Bryan Fuller, the brilliant TV auteur behind Pushing Daisies and Wonderfalls.
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TV Guide MagazineMay 28, 2015
Season 3 Review:
Its third macabre season magnifies every succulent image and sound to its creepiest potential. [1 Jun 2015, p.18]
Season 1 Review:
By the end of the first hour, it has managed to make Dancy, Fishburne and Mikkelsen a formidable trio of characters, and each actor responds in kind with strong, engaging performances. Another sign of a good series is the fact that beyond the main three, the supporting cast is filled with solid actors and--more important--strong, vivid characters.
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Season 1 Review:
Hannibal moves at a snail's pace to build tension. At the same time, there's an obvious attempt to counter its inertia with a lot of very intrusive soundtrack music.... Fortunately, Dancy's performance is terrific and more than enough to maintain our interest, with or without elks.
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Season 2 Review:
The show succeeds, to the extent it does, thanks to the braininess of its characters, Mikkelson’s positively reptilian approach to Lecter--taking a character with which the audience is so familiar and making it his own--and the clever use of a bracing season-opening sequence that frames essentially everything to come as an extended flashback.
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Zap2it (Inside the Box)Apr 4, 2013
Season 1 Review:
Stick with the series through a handful of episodes, though, and it’s clear that showrunner Bryan Fuller has brought a semi-hypnotic quality to this prequel adaptation of Thomas Harris’ Hannibal Lecter character--ungainly and messy, but at times visually arresting, and thanks in large part to the central trio of Mads Mikkelsen, Hugh Dancy and Laurence Fishburne, quite interesting.
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Season 3 Review:
Taken as a whole, the three episodes mark a decent reintroduction but individually these episodes are basically daring viewers to watch. It's like producers are actively trying to repel viewers, not because the episodes are overly violent but because they often don't make much sense.
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Season 1 Review:
No matter how beautifully the dead bodies are staged--and, like Dr. Lecter's dinners, the corpse presentations in Hannibal could be ripped from old issues of Gourmet magazine, if Gourmet had featured cannibalism--they're still meant to represent once-living people. So, if I'm less amused by this than whoever chose to title those episodes "Aperitif," "Amuse-Bouche," "Potage," "Coquilles" and "Entrée," call me a party pooper. Still, it's a gorgeous party, with hosts that include "Wonderfalls" star Caroline Dhavernas as a colleague of Will's and Laurence Fishburne as Will's boss.
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Season 3 Review:
Hannibal is the most radical enterprise on network television right now.... Hannibal is also one of the most hilariously ridiculous shows on TV. The fussy perfectionism of Hannibal Lecter, from his impeccable suits with jaunty pocket squares to his smirking murmurs of polysyllabic nonsense, is screamingly camp while lacking the wit of truly accomplished camp.
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Season 1 Review:
For fans of "Silence of the Lambs" there is some pleasure in gathering the canonical Easter eggs planted throughout the series, but for the most part Hannibal suffers from the same fatal flaw as its main character: It takes itself so seriously that it's no fun at all.
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