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CRITIC SCORE DISTRIBUTION | ||
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Positive:
9
Mixed:
1
Negative:
0
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Critic Reviews
May 7, 2024
Season 3 Review:
It is largely a return to form, a suitable send-off for the battling. .... Forsyth has fully assimilated the lessons of the Coen brothers and the history of the caper film, and with an ending that lets in more sentiment than the show has previously allowed, he gives Jake and Max slivers of their Scottish dreams.
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The GuardianApr 28, 2023
Season 3 Review:
Phyllis Logan is the perfect antagonist: omniscient and omnipotent in the manor she runs, with a jagged personal brittleness beginning to poke through her armour. Opposite her, Bonnar has never been better in a role that lets him display his two great strengths – hypnotic charm and snarling, desperate malevolence – at the same time. They have made Guilt’s trip around Edinburgh’s dark corners a rare thrill.
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The TelegraphApr 28, 2023
Season 3 Review:
There is plenty to like about series three. ... Bonnar is a great actor, capable of signalling half a dozen conflicting emotions simultaneously with just the tiniest flicker of facial expression (in Max’s case, one of these is almost always ‘panic’). He is a joy to watch, and Forsyth’s dialogue is a treat to hear.
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The TimesApr 28, 2023
The TimesAug 30, 2021
TV Guide MagazineAug 30, 2021
Season 1 Review:
Darkly amusing four-part thriller. [30 Aug - 12 Sep 2021, p.15]
Sep 3, 2021
Season 1 Review:
It starts off well, but becomes overly complicated to the point where the denouement doesn’t quite work. ... Like Netflix’s “Clickbait,” the end does not justify the means. But still, Sives is excellent, and he grounds the at times semi-comic craziness with Jake’s noble leanings.
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