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The explosive extract (published in Esquire magazine) is dealt with in the opener, which, looking ahead, leaves seven meandering, woozy episodes of set pieces, time-hopping, failed rapprochements, a somewhat overplayed motif (cue a mystical swan gliding around in a bathtub).
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This tale of the toxic fallout between Truman Capote and his bevy of “swans” — coutured New York socialite women with a thirst for high-end white wine — is gorgeously shot, spikily written and far too long. But it is worth your time, if only for the performance of Tom Hollander as Capote, one so grimly hypnotic it is hard to take your eyes off him.
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Murphy manages to capture the appeal, both of Capote and the world that he so vividly depicted.