- Network: AMC
- Series Premiere Date: Jun 5, 2016
User Score
Generally favorable reviews- based on 42 Ratings
User score distribution:
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Positive: 27 out of 42
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Mixed: 4 out of 42
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Negative: 11 out of 42
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User Reviews
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Jun 6, 2016Silliness. AMC doesn't have Heisenberg and Jesse cooking meth anymore--so instead they have close ups of some other guy cooking fancy food while hipster guitar licks play on the soundtrack. Those sequences are cringe worthy. The mob stuff doesn't work either. The only redeeming thing in the show? David Schwimmer isn't bad at all--can't say the same for the show. Bad misstep for AMC.
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Jun 18, 2016There is not one character that I like or even care what is going to happen to them. Too many conflicts happening and it seems to be flaying about looking for a plot.
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Jun 21, 2016Schwimmer's acting and character are great, but Sturgess' character/acting is really getting on my nerves.
Michael Gladis' acting is ok, but Im waiting for him to burst out singing 'Hello my baby' .. Sorry cant get past his character in Mad Men ;)
Storyline seems ok, but somehow I'm not 'feeling' it. -
Jun 17, 2016This review contains spoilers, click expand to view.
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Jun 6, 2016Great performance by Schwimmer - liked him more than I thought I would in this role. Love the farcical nature of the show as backdrop to two friends trying to get their lives back together doing what they love. Can't wait to see what the writers' have in store as the season goes on. Can already tell this a 'more than it seems' type of story. Great hour of television in my opinion.
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Jun 30, 2016
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Oct 1, 2016The acting was good, the premise wasn't original but it was interesting and the show was pretty entertaining. It's a shame it got cancelled because it could've been an even better show.
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Jul 30, 2016
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Aug 3, 2016An absolute embarrassment. Bad casting, bad script, terrible story line. Ridiculous. Can't even expound. Best part? A gorgeous kid who has nothing to say. Shame. Shame. Shame.
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The combo platter of drama, crime, family and lots of food porn doesn’t quite gel. Everything feels predictable, the downbeat tone spreads across the plate to infect performances and, ultimately, the audience.
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Answers are sacrificed in Feed the Beast’s quest to be 18 different things at once: a Bourdain-esque tale of bad-boy chefs made good, a gritty crime drama, a superhero show, a touching tale of familial reception.
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[Feed the Beast] is such a mess that you have to wonder what on Earth is going on at AMC (besides the whole if-it’s-a-white-guy-who-bleeds-it-leads thing).