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Positive:
155
Mixed:
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Negative:
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Critic Reviews
TV Guide MagazineDec 1, 2023
Season 5 Review:
Series creator continues to flavor crime drama with humor and taste for the bizarre, assembling another remarkable cast for a funky fable of survival in the chilly Midwest. .... Marvelous Juno Temple is ferociously endearing as Dot. [27 Nov - 17 Dec 2023, p.6]
The TelegraphNov 22, 2023
Season 5 Review:
Later surprise-laden and richly complex scenes handily salvage Fargo’s fifth season after a ham-fisted start. That, and consistently remarkable performances at even the most shoddily written early moments, along with breathtaking action and bleak humor, show Hawley is still a TV visionary well suited to build on the Coen Brothers’ Fargo 1996 film legacy–even if he takes commendable big swings that occasionally miss.
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Season 5 Review:
Dorothy’s story, about a woman fearful of her past as well as what might be coming for her in the immediate future, is unmistakably a Fargo story. But it artfully captures something new within that story: the palpable tension in a contemporary America where men with guns, badges, and cowboy hats think they make the rules, leaving smart, savvy women with no choice but to prove them wrong.
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Season 5 Review:
Temple, best known here for “Ted Lasso,” is terrific. .... Three-fifths of the way in, the story feels comparatively conventional, notwithstanding that medieval flashback. But with four hours left to go — two whole “Fargo” movies — there are certainly surprises ahead, twists around corners hidden behind corners. Things will probably get crazy, and I’m eager to see it.
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Season 5 Review:
Despite this laundry list of great characters, what differentiates this season from the last is that the writers are telling a more intimate story. It’s ridiculous in several facets, but the absurdity has a way of contributing to, not detracting from, that intimacy. The characters become more riveting with each twist.
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The Daily BeastNov 20, 2023
Season 5 Review:
Promises to be an entertaining, stylishly filmed one. It’s not going to be peak “Fargo,” at least based on the four (of 10) episodes made available for review, but it features a few dynamic performances, a nicely focused story line, some compelling action, and a turn by Jennifer Jason Leigh that is so excessive you’ll wonder if her acting tutor is Nicolas Cage.
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ColliderNov 9, 2023
Season 4 Review:
By throwing caution to the frostbiting wind, rather than trudging over former glories, Hawley and co. give TV’s great snow swept saga quirkier characters that cover greater thematic ground. Is it a departure? And is that what makes it great? On both counts: oh yeaaah, you betcha.
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TV Guide MagazineSep 28, 2020
Season 4 Review:
Thrillingly unpredictable fourth installment of Fargo. ... A dark tide of inventive quirkiness. [28 Sep - 11 Oct 2020, p.8]
Season 4 Review:
I had no trouble watching nine hours of the new series at a sitting, except for the sitting. ... Because criminals dominate the action, the story seems not so much morally complex as unfocused, and because there are so many storylines competing for air, including one involving Jessie Buckley as a nurse with bad habits (and a Minnesota accent to honor the franchise), the show robs some promising characters of screen time.
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Season 4 Review:
There are so very many good and great things to point to — characters whose evil is a thing of warped beauty, plots that balance thrillingly on contingency and bad timing, dialogue whose comedy is cloaked in murderous intention and gluttony, resonant cinematography that speaks of a grimly Disunited States — I don’t know which one to start with. Series creator Noah Hawley has come up with yet another ambitious, dazzling, and entertaining season of his Coen brothers-based anthology series.
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Season 4 Review:
“Fargo” feels utterly of its time and place. The dialogue is stylized and clever. ... Every episode contains stunning, elaborately choreographed scenes worthy of a major feature film. This is one of the best-looking series of the year, featuring some of the strongest performances of the year from more than a dozen of our finest actors.
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Season 4 Review:
Fargo occasionally strains under the weight of what it’s attempting to accomplish: a lively examination of the history of different groups of Western European immigrants who have gradually been granted whiteness, and the many Black Americans, whose ancestors were brought here by force (and greed), but are now, as Doctor Senator puts it, a “part of this land, like the wind and the dirt.”
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Season 4 Review:
It's a period drama featuring two dozen (or more) main and guest characters. Yet even with those moments in which Fargo loses track of who was supposed to be the story's heart or which narrative threads have the most urgency, when the show works — when its vision is realized entirely — very little on TV can compete.
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IndieWireSep 14, 2020
Season 4 Review:
Season 4 may not go down as the best year of “Fargo.” The structure lurches a bit, episode to episode, and the cast can’t collectively hit the highs of prior seasons’ players. (In part because they’re not asked to, given the dour tone.) But Hawley’s choice to evolve beyond his established structure is as necessary as it is invigorating.
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ColliderSep 14, 2020
Season 4 Review:
Hawley is a creator who loves images, ideas, and words, and not a single episode watched for review (FX provided the first nine) lacks for an unforgettable camera shot, a haunting character choice, or a line of dialogue so weird and wonderful it could only be Fargo. And in a year when pretty much everything feels coated with a layer of tarnish, perhaps it’s right that Year 4 is a season where heroes feel very hard to find.
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Season 3 Review:
From its dynamic female characters, to its willingness to turn dashing leading men like McGregor into far more fascinating warts and all character actors, to its exquisite (and frequently hilarious) montages about everyday Americana, Fargo's third season is thus far as strong as any of the sterling preceding tales in this snowed in noir universe.
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TV Guide MagazineApr 27, 2017
Season 3 Review:
One man's bland is another's bliss, don't ya know. That's certainly the case with the third season of Noah Hawley's Fargo franchise, with its delicious recipe of quirky humanism and chilling, shocking violence unaltered by a year's hiatus. [1-14 May 2017, p.19]
Season 3 Review:
As always, however, the pleasures of Fargo derive from the variety of the characters and the clever wordplay they indulge in. ... Coon and Hawley quickly establish the distinctiveness of Gloria’s character: she’s not as polite as Allison Tolman’s Deputy Molly Solverson in season one, nor as tight-lipped serene as Patrick Wilson’s Trooper Lou Solverson in season two.
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Season 3 Review:
Even if some of the characters seem familiar or we recognize some of the narrative beats before they’re hit, we know from the very moment it begins that Fargo once again has a great, big story to tell us, and that means it’s time to settle in for the ride, wherever that old “Ace Hole” Corvette may take us.
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Season 3 Review:
Giving McGregor two roles seems at first like an oddball casting choice for a show that doesn’t need any more weirdness. Two episodes aren’t enough to say whether it is justified as more than Emmy bait for McGregor. Of the two roles, he seems more convincing as Ray. Thewlis oozes menace and charm as a mobster who has seen the world. ... Pack light. Fargo moves fast.
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Season 3 Review:
The show’s reputation continues to attract a variety of actors you wouldn’t necessarily put in a room together. Fortunately, McGregor underplays the dual role, avoiding caricature and subtly altering his Minnesota accent to suggest Ray and Emmit have had two completely different lives.
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Season 3 Review:
In some ways, this season of Fargo checks all of the boxes of its precedent seasons: the down-on-his-luck schlub with a surprise knack for crime; the sly yet intoxicating evil force; the righteous, morally sound cop; and the absurd, easily avoidable crime that sets everything into motion. What sets the season apart is its comparatively small cast of players.
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Uncle BarkyApr 18, 2017
Season 3 Review:
The main characters also aren’t clicking on all cylinders yet, save for the dastardly Varga and his bitingly delicious way of putting things. ... This latest Fargo likely will be quite a trip, with its principal creative force, Noah Hawley, not to be discounted in terms of coming through in the clutch.
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Season 3 Review:
This is a series chock full of great characters, male and female, that exudes wit, intelligence and a palpable desire to entertain. It’s possible, of course, that this latest Fargo will sag in the middle or fall apart at the end. But neither of the other two seasons did, so here's betting this one won’t either.
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Season 3 Review:
Fargo is becoming an expertly made meta-concoction, a remix of a remix. ... The effect of the casting [of Ewan McGregor as the two brothers] isn’t to show the brothers’ similarity, but how life and circumstance have shaped them so differently. It’s remarkable, and no mere stunt.
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Season 3 Review:
Once we’re aware that’s coming, we can’t help but to expect it to happen. That puts the onus on Hawley and his writers to cook up an act so unexpected that it jolts us nevertheless. Whether initial crime of Season 3 fulfills that promise is debatable. The auxiliary circumstances and characters surrounding it, however, don’t initially hold enough tension to makes us salivate with anxiety for where this story will go next.
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Season 3 Review:
There are some truly shocking moments early on, but it all just feels a bit too familiar. Luckily, the cast picks up the narrative slack; Winstead and Coon might both be playing thwarted women, but they’re basically fire and ice. McGregor manages to carve out distinct personalities in his dual performance.
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Season 3 Review:
I just may need to put the show at the top of this year’s list, too. It’s as confidently filmed as season 2, with witty musical choices and a falling-air-conditioner-cam, and the plotting promises all kinds of the cosmic surprises that have become a “Fargo” trademark. And then the script is a model of tonal elasticity and a gift bag of twisted and comic pieces of wisdom.
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Season 3 Review:
The season’s second episode signals that Hawley will probably make great use of the “Fargo” template. But three seasons in, it has to be more of a challenge to take similar characters, situations and sensibilities, all of which are narrowly defined, and make them feel completely fresh. For now, though, we’ll give Fargo the benefit of a very slight doubt.
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Season 3 Review:
The hallmarks of a Hawley show are wonderfully offbeat yet endlessly intriguing characters, boldly innovative visual flourishes, a somewhat antic sense of humor, marvelously textured universes, compelling performances and whip-smart writing. Are all of these elements to be found in the immediately riveting third-season opener of Fargo? Oh heck yah, youbetcha.
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Season 3 Review:
It’s a somewhat slower build--and there’s a seemingly non-sequitur prologue to wade through at the start--but eventually this Fargo premiere suggests reason for excitement for the new season. But then episode two comes along and also fails to ignite the addictive interest of past installments, so this year’s Fargo will require a wait-and-see approach.
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UPROXXApr 13, 2017
Season 3 Review:
There’s a palpable joy throughout, not only in the performances by actors like Thewlis and Winstead who play the more outgoing roles, but in the way that Hawley and his collaborators assemble the pieces. ... If the new season turns out to be a slightly diminished version of what came before, that’s still a pretty good place to be.
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Season 3 Review:
In the early going, the third season of Fargo, which is set in 2010, offers a sprinkling of skillful characterization, dialogue, and production design without providing enough psychologically compelling components to balance out the largely dry and even perfunctory aspects of the drama. The elements viewers have come to expect are accounted for, as if by checklist.
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ColliderApr 10, 2017
Season 3 Review:
More than anything, though, Fargo’s collection of stellar actors again this year makes every scene a delight to watch. Coon is staid and inscrutable, Winstead is electric and seductive, McGregor finds likability and venerability for this characters in ways we wouldn’t expect, and so forth. It’s a showcase that, matched with the show’s sly humor, produces exceptional television.
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Season 2 Review:
The story is muddier and more complex than last season’s, full of halfway nice and semi-awful people rather than the purely good and bad. Every episode starts with a ’70s jam and a jaunty split screen. The Midwestern accents are inconsistent and strange, but that only makes them funnier.
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Season 2 Review:
The second season of Fargo is just as fantastic as the first. And viewers who didn't catch the first season can easily slide into the second. Some nuances will be lost, but those are minor compared to how good this series is.... Hawley and his writers' greatest strength is incredible control of tone and atmosphere.
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Season 2 Review:
The only complaint one could muster about Fargo this time is that it spreads itself on too thickly in the first two episodes. In moments that count, the show can seem more interested in style than substance. Season 2 also introduces so many characters (played by equally strong actors, including Ted Danson as Trooper Solverson’s father-in-law, Hank; Cristin Milioti as Solverson’s wife, Betsy; and Nick Offerman as Karl, Luverne’s most conspiracy-minded lawyer--to name a few) and so many fascinating threads at once that it threatens to collapse under its own weight. The intricacies do begin to cohere by Episode 4.
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Season 2 Review:
Writer and executive producer Noah Hawley upped the game with a sharp, well-developed story involving multiple moving parts. It’s smart, thought out and full of watchable characters with convincing enough motives to create the perfect amount of viewer sympathy. The end result isn’t just a “Fargo” 2.0 (or 3.0 depending on your love of film), but an evolved story that takes television to a whole new level.
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Season 2 Review:
This Fargo has a different idea of evil, based on something just as insidious as Malvo: The grinding amorality of capitalism, which demands more profit no matter what the human cost. In the new Fargo, this is placed in a context that is frequently witty, and balanced with scenes of great family love. The large cast is superb.
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Season 2 Review:
It’s atypical in the television industry for a show born of a larger creative trend to surpass the trend’s flashpoint, but with the new season, Fargo puts itself head and shoulders above its anthology peers. Bigger isn’t necessarily better, but can it be, when done thoughtfully? You betcha.
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