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CRITIC SCORE DISTRIBUTION | ||
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Positive:
23
Mixed:
0
Negative:
2
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Critic Reviews
Season 1 Review:
You have to work to watch this show. Characters and plotlines whiz by in a blur, and if you blink, you may miss an entire subplot. But the payoff is more than worth the effort: With its deep characterizations, dark humor, unpredictable plots and brilliant musical score, "EZ Streets" is fascinating television, unlike almost anything else now on the air. [27 Oct 1996]
Season 1 Review:
Stylishly produced, with haunting music, darkly diffused lighting and some surprising violence and raw street language, "EZ Streets" has loads of bite and texture. Based on Sunday night's two-hour preview episode, it has the potential to be one of the new season's best dramas. [27 Oct 1996]
Season 1 Review:
The "EZ" dialogue is terse, suggestive, pointed and often ambiguous. The complicated "Streets" story deals with issues of truth, honor, justice, vengeance and loyalty. Its stark moral conflicts, set in a shady criminal underworld, deserve positive comparisons to "On the Waterfront," "Serpico," "Where the Sidewalk Ends" and the first year of "Wiseguy." [25 Oct 1996]
Season 1 Review:
Dense, dark and disturbing, the new crime drama requires that attention - total attention - be paid to a bunch of unsavory characters. Many viewers will deem it an offer they can refuse. Yet patience pays major rewards, for EZ Streets holds surprising fascination. [27 Oct 1996]
Season 1 Review:
Olin is fine as undercover cop Cameron Quinn, as is Jason Gedrick... as recent parolee Danny Rooney... But everything else in this two-hour opener falls hard, from the artificial conflicts that serve the script, but not logic, to the merciless bloating during which nothing happens but mood music, to the needless violence and softening of homicide with clumsy humor. These cadences don't come close to harmonizing.
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Season 1 Review:
It's achy, moody, glum, stylized and almost criminally pretentious. ... All the performances seem mannered. The show is plagued with arch, actorly acting, the kind that rings false and calls attention to its own falseness. ... Already some critics have hailed the show as a breakthrough. True enough -- it's a breakthrough from tedium into torpor. [27 Oct 1996]
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